by Joanne Lipman ; Melanie Kupchynsky ‧ RELEASE DATE: Oct. 1, 2013
Moving and motivating—a must-read for practicing professionals and would-be musicians.
Inspirational lessons from the life of one tough teacher.
Today’s parents who lament their children stressing over tests may be horrified by the themes of tough love and tenacity offered by this biographical tribute to the late Jerry Kupchynsky, “Mr. K,” a gifted high school strings teacher from East Brunswick, N.J., whose exacting methods helped spawn the careers of generations of musicians and educators. Journalist Lipman and Kupchynsky, a violinist and Mr. K’s daughter, met as children when Mr. K joined his daughter’s exceptional talents on violin with Lipman’s on viola to form half of a string quartet that would also include Kupchynsky’s younger sister, whose disappearance decades later reunited the authors. The bond forged through the intensity of creating music is but one of the storylines running through this engrossing account of Mr. K’s life. Born in 1928 in the Ukraine, Mr. K endured a litany of wartime atrocities before immigrating to the United States as a refugee in 1946. But prior to fleeing to the U.S., it was the sound of a German soldier playing the violin that sparked his love for classical music. Surviving these early hardships helped instill in Mr. K an appreciation of adversity as a motivator, an unflagging belief in the value of hard work and a willingness to fight for the underdog. With a booming Ukrainian accent and “trim” mustache, Mr. K’s battle-ax demeanor and perfectionist drive struck both fear and a ferocious desire to succeed in the hearts of his pupils. One of his more unforgiving approaches involved singling out a section’s weakest player—“Who eez deaf in first violins?”—and forcing the guilty party to play alone with a stronger player until the weak one improved. While tactics like these may not have earned his students’ immediate devotion, they never forgot him and often found they could achieve more than they ever dreamed.
Moving and motivating—a must-read for practicing professionals and would-be musicians.Pub Date: Oct. 1, 2013
ISBN: 978-1-4013-2466-7
Page Count: 352
Publisher: Hyperion
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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