A violent, dramatic, and ultimately hopeful debut despite some pacing issues.
In this contemporary horror/fantasy novel, a Canadian woman confronts her destiny when a demon claims her as his queen.
Kyra Parker, 35, has been trying to live a normal life with her husband, James Parker, and 8-year-old son, Xavier. She and her best friend, Alexis Bennett, are secretly witches, but Kyra doesn’t talk anymore about the bad dreams and strange events that she experienced in her childhood. Her attempt at normalcy ends when she’s kidnapped and brutally beaten by associates of Alastor, a mesmerizingly handsome demon, straight out of her nightmares, who wants her to rule the world alongside him. “Dreams of angels, demons, magic, war, blood, death—and the fear and hope that accompanied them” soon come flooding back to her, and she’s forced to accept his demands in order to protect family members and friends who’ve also been kidnapped. Thus Kyra becomes demonic herself, wreaking havoc with Alastor, bringing down governments, and building an army of released convicts. Soon her friends and their new allies, including a priest and two other mysterious figures, organize a resistance movement, guided by a prophecy that Kyra’s special heritage will allow her to overcome Alastor’s evil. But first, they must reclaim her from Alastor’s terrible influence. Debut author Tollefson often keeps up a quick pace in this story, which delivers plenty of gory supernatural action and a dash of eroticism. She also handles dialogue and description with facility. However, the large size of the cast sometimes slows things down, as does the fact that several characters have similar names (such as Alexis, Axel, and Alastor). It’s also problematic during fight scenes, as readers sometimes have to track half a dozen characters or more through complicated choreography. The sections that explain supernatural background information, such as magical rules and their exceptions, also drag. That said, the novel’s spirit of resistance to evil will resonate with many readers even if its graphically described scenes of blood, torture, and suffering don’t appeal to everyone.
A violent, dramatic, and ultimately hopeful debut despite some pacing issues.Pub Date: Feb. 8, 2017
ISBN: 978-0-9953086-1-9
Page Count: 298
Publisher: Lost Girl Creations
Review Posted Online: Feb. 20, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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