An amusing and genuine account of the challenges a surgeon faces in a new country.
In this third installment of a memoir, an English doctor and his family adjust to life in Canada.
Case, his wife, and their young children immigrated to Alberta in 1970. They quickly got a taste of this new rural setting, as their arrival in Canada was in the midst of winter. The family didn’t have clothing to accommodate the blistering minus-35-degree Fahrenheit temperature (or money to buy more) and generally stayed inside their town house. But Alberta was different from their England home in many other ways, from diverse cultures and languages to the food. Alas, black pudding was no longer a breakfast option. One of the family’s earlier troubles was monetary; Case, who earned a surgical specialist certification in Canada, initially made less than he did in England. But the Cases became financially stable once he opened an independent practice, and they settled into a new home. The vastness of Alberta provided the surgeon with a variety of patients and injuries, largely due to heavy industry and icy roads that caused numerous accidents. And as it turned out, the family’s original plan of “a couple of years” in Canada was extended. In this volume following The Surgeon’s Apprentice (2019), Case couples descriptive prose with welcome humor. Some of his adjustments, for example, included coping with slang (the British phrase knocked up is an early morning call). At the same time, he cites and scrupulously details myriad surgical cases and procedures. In fact, readers who are squeamish watching surgeries on TV may react comparably to the book’s graphic passages. Despite the family’s hardships, the work is upbeat, portraying Canada as a serene, snowy place with good people. Further enhancing Case’s memoir is intermittent poetry that’s earnest and sometimes funny, like a piece warning drivers to watch the road—not “ogle” the snowy owl.
An amusing and genuine account of the challenges a surgeon faces in a new country. (acknowledgements)Pub Date: Aug. 11, 2020
ISBN: 978-1-5255-6030-9
Page Count: 354
Publisher: FriesenPress
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Review Program: Kirkus Indie
PERSPECTIVES
What a talent, what a career, what a life, and what a treat to relive it all with this most down-to-earth of demigods.
A gloriously massive memoir from a sui generis star.
When Keith Richards and Bruce Springsteen published 500-page memoirs, that seemed long—but as we learned, they really did have that much to say. Streisand doubles the ante with 1,000 pages. In addition to chronicling her own life, the author offers fascinating lessons on acting, directing, film editing, sound mixing, lighting, and more, as revealed in detailed accounts of the making of each of her projects. As Stephen Sondheim commented about her, “It’s not just the gift, it’s the willingness to take infinite pains.” The pains really pay off. With every phase of her life, from childhood in Brooklyn to her 27-year-romance with current husband, James Brolin, Streisand throws everything she has—including her mother’s scrapbook and her own considerable talent as a writer—into developing the characters, settings, conversations, meals, clothes, and favorite colors and numbers of a passionately lived existence. In the process, she puts her unique stamp on coffee ice cream, egg rolls, dusty rose, pewter gray, the number 24, Donna Karan, Modigliani, and much more. Among the heroes are her father, who died when she was very young but nevertheless became an ongoing inspiration. The villains include her mother, whose coldness and jealousy were just as consistent. An armada of ex-boyfriends, colleagues, and collaborators come to life in a tone that captures the feel of Streisand’s spoken voice by way of Yiddishisms, parenthetical asides, and snappy second thoughts. The end is a little heavy on tributes, but you wouldn’t want to miss the dog cloning, the generous photo section, or this line, delivered in all seriousness: “Looking back, I feel as if I didn't fulfill my potential.”
What a talent, what a career, what a life, and what a treat to relive it all with this most down-to-earth of demigods.Pub Date: Nov. 7, 2023
ISBN: 9780525429524
Page Count: 992
Publisher: Viking
Review Posted Online: Nov. 6, 2023
Kirkus Reviews Issue: Dec. 15, 2023
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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