Talky, tear-jerking thriller from screenwriter/novelist Briley (The Traitors, 1969, etc.). Would you believe a blond, blue-eyed Jewish-American beauty who meets, captivates, and weds a Saudi Arabian princeling on orders from Israeli intelligence? That this brainy, worldly young woman remains tucked away in a desert harem for almost two decades before she's called upon to serve the murky cause of her masters in Tel Aviv? That the long-married lady genuinely regrets betraying her handsome husband? Then Briley has a book for you. At the behest of Mossad, Lisa Cooper contrives to run into Le'ith Safadi while both are students at UCLA during the late 1970s. The dashing young MBA candidate (whose given name means young lion) is soon besotted and, against the urgent advice of his US minders, he takes her to wife. While not of the royal house, the Safadis wield considerable influence within the oil-rich kingdom of Saudi Arabia. Although the unblushing bride eventually wins over the senior members of Le'ith's extended family, she doesn't fool her villainous, ambitious brother-in-law Rashid, who suspects her from the start. Meanwhile, the ever volatile Middle East is convulsed by events ranging from Israel's invasion of Lebanon through the Gulf War. At length, after the Jewish State and the PLO take their first tentative steps toward peace, Lisa is called upon to sell out Le'ith (who's negotiating with his traditional enemies to join forces in an economic development project that could benefit the whole region). One fine day in Cairo, she betrays him, albeit with a heavy heart. Barely escaping the ensuing violence with her own life. Lisa learns (after arriving in Israel) that Le'ith has survived as well. At this point, the in-from-the-cold agent realizes she truly loves her no longer young lion and returns to Saudi Arabia for a dramatically implausible reunion. Danielle Steel meets Robert Ludlum without any particularly gainful result.
Pub Date: July 1, 1997
ISBN: 0-688-15235-X
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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