by John C. Lukegord ‧ RELEASE DATE: June 20, 2015
An unquestionably eerie baddie helps this uncomplicated but dark tale stand out.
A two-bit con artist focuses his aggression on a local paperboy and his friends in Lukegord’s (The Haunted Trail, 2014, etc.) thriller.
Curtis Ware, six years after serving time in juvie for a B&E in Iowa, now makes his home in Riverside, Maine. He runs a few scams, including cheating people in a carnival game and accepting donations for a disabled veterans’ taxi service that doesn’t actually do anything. But a small group of preteen hellions, including paperboy Ace Gordon, sends him in an entirely different direction. They pelt his car with snowballs and later sneak into his shack, unaware that he owns them both. Ace inadvertently leaves behind his newspaper bag, and he and his pals become Curtis’ mortal enemies in a series of increasingly dangerous encounters that span more than a decade. The author provides stellar coverage of both its villain and his young victims. The narrative, with its intermittent dialogue, often comes across as a chronicle relaying just the basic facts. However, Curtis’ actions are inherently creepy, and his behavior becomes more and more unsettling as the story progresses. For example, he shows up in costume at a Halloween party just to torment Ace, and he moves from chucking rocks at a football game and tapping on windows to chasing the kids with a buck knife. Lukegord provides readers with a modicum of sympathy for Curtis, who was raped and beaten back in juvenile detention. That said, it’s hard to side with a man who grows his fingernails long to use them as weapons, so readers are likely to root for Ace and company instead. The sparse dialogue exchanges can be stiff and sometimes recall Scooby-Doo: “I would’ve gotten away with everything had it not been for those nosy kids!” rants Curtis at one point. Some of the descriptions, too, are repetitive; the story repeatedly refers to Curtis as “disgruntled,” and his actions as “sketchy,” even in a newspaper article detailing one of his crimes. The ending, however, is fittingly disconcerting.
An unquestionably eerie baddie helps this uncomplicated but dark tale stand out.Pub Date: June 20, 2015
ISBN: 978-1-4909-3021-3
Page Count: 108
Publisher: CreateSpace
Review Posted Online: Aug. 26, 2015
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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