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A Stalker's Journey

An unquestionably eerie baddie helps this uncomplicated but dark tale stand out.

A two-bit con artist focuses his aggression on a local paperboy and his friends in Lukegord’s (The Haunted Trail, 2014, etc.) thriller.

Curtis Ware, six years after serving time in juvie for a B&E in Iowa, now makes his home in Riverside, Maine. He runs a few scams, including cheating people in a carnival game and accepting donations for a disabled veterans’ taxi service that doesn’t actually do anything. But a small group of preteen hellions, including paperboy Ace Gordon, sends him in an entirely different direction. They pelt his car with snowballs and later sneak into his shack, unaware that he owns them both. Ace inadvertently leaves behind his newspaper bag, and he and his pals become Curtis’ mortal enemies in a series of increasingly dangerous encounters that span more than a decade. The author provides stellar coverage of both its villain and his young victims. The narrative, with its intermittent dialogue, often comes across as a chronicle relaying just the basic facts. However, Curtis’ actions are inherently creepy, and his behavior becomes more and more unsettling as the story progresses. For example, he shows up in costume at a Halloween party just to torment Ace, and he moves from chucking rocks at a football game and tapping on windows to chasing the kids with a buck knife. Lukegord provides readers with a modicum of sympathy for Curtis, who was raped and beaten back in juvenile detention. That said, it’s hard to side with a man who grows his fingernails long to use them as weapons, so readers are likely to root for Ace and company instead. The sparse dialogue exchanges can be stiff and sometimes recall Scooby-Doo: “I would’ve gotten away with everything had it not been for those nosy kids!” rants Curtis at one point. Some of the descriptions, too, are repetitive; the story repeatedly refers to Curtis as “disgruntled,” and his actions as “sketchy,” even in a newspaper article detailing one of his crimes. The ending, however, is fittingly disconcerting.

An unquestionably eerie baddie helps this uncomplicated but dark tale stand out.

Pub Date: June 20, 2015

ISBN: 978-1-4909-3021-3

Page Count: 108

Publisher: CreateSpace

Review Posted Online: Aug. 26, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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