A technically informative, upbeat reminiscence that should appeal to aspiring medical professionals.

THE SURGEON'S APPRENTICE

This second installment of a three-volume memoir focuses on a man’s years in medical school and his postgraduate specialty training in England and Scotland.

Case entered medical school in 1955 in Sheffield, England, a city known for its steel industry. It was the beginning of a 15-year journey that ultimately would land him in Alberta, Canada. Evidencing a remarkable ability to recall details, the author shares his classroom and clinical experiences as well as the lighter adventures of student life. Short, lively anecdotes related to youthful antics and friends and comprehensive descriptions of his multitude of residences over the years offer respite from longer sections that depict dissections and specific medical procedures, such as the first time he assisted in brain surgery. Although the portrayal of this particular incident is perhaps a bit too graphic for lay readers, it does include a surprising insider tidbit: “After a couple of hours, partway through the procedure, we stopped briefly for tea and biscuits.” Medical school was a six-year stint—“three years of preclinical studies were followed by three years of clinical study during which we learnt to apply the knowledge we had obtained to treat living patients.” And this was followed by a series of appointments to a vast spectrum of specialty departments. While Case had decided that he definitely wanted to be a surgeon, he also sought to accrue substantial experience in all of the medical disciplines in order to be prepared to practice his specialty in a rural area where a doctor had to be ready for anything. American readers, accustomed to titles such as student, intern, and resident, will likely need time to acclimate to the British terms for these positions. Surgeons, for example, held the title mister rather than doctor, a reference to their origins as barber-surgeons. Case’s genial prose, peppered with occasional 1960s- and ’70s-relevant social commentary, reveals his tender, compassionate attitude toward his patients. But it is encumbered by the author’s extensive use of medical terminology, which slows the story’s pace and makes many sections tough going for a general audience.

A technically informative, upbeat reminiscence that should appeal to aspiring medical professionals.

Pub Date: N/A

ISBN: 978-1-5255-4195-7

Page Count: 240

Publisher: FriesenPress

Review Posted Online: Nov. 25, 2020

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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