An oilman on the skids pulls himself together to fly to the Indian Ocean to see whether a plane full of his old colleagues fell from the sky or was pushed. Collee is the author of the medical thrillers A Paper Mask and Kingsley's Touch. Spence, a boozy, brokenhearted Canadian with either no first name or no last, attends the funeral of a dozen fellow oil-workers whose charter flight from Madagascar crashed seconds after takeoff. At the funeral, Spence spies the faithless wife whose betrayal sent him into an alcoholic tailspin and the crippling, near-fatal accident that ended his own career. He also sees his newly widowed friend Cora, who begs him to find out whether there's any basis to the rumor that the flight on which her husband died was sabotaged. Spence combines the unpaid detective work with a contract to tidy up the African drilling site. But he lands in the middle of political upheaval: Madagascar's honest but luckless government is about to fall, a victim of its own unfulfilled hopes for the discovery of oil that would rebuild the impoverished country. Wanting to take power is a charismatic, Sorbonne-educated onetime radical. At the drilling site, Spence checks into a hotel run by the ravishing Mme. Perpetuda Peyrame, who is, oddly enough, another Sorbonne graduate. Before he can pack up the rig for sale to the government, Spence gets his hands on the last records of the drilling team and finds—what's this?—there really was oil after all. Lots and lots of it. Did Norco, the firm that paid for the drilling, know about this? If they did, why did they close the site? And why didn't they tell anyone about the fabulous discovery? Sophisticated thriller that hops back and forth from the untouristed tropics to the steppes of Alberta to great effect.
Pub Date: June 18, 1992
ISBN: 0-688-11482-2
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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