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LOOK ME IN THE EYE

MY LIFE WITH ASPERGER’S

The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally...

Affecting, on occasion surprisingly comic memoir about growing up with Asperger’s syndrome.

Those who have this autism spectrum disorder are often seen as weird, because of their odd mannerisms and expressions and their difficulties in talking to other people. But Asperger’s may also confer rare talents, such as the ability to focus intently and to think rapidly and creatively, notes the author, who wrote this text at the urging of younger brother Augusten Burroughs (Running with Scissors, 2002, etc.). A social misfit helped not at all by a battery of therapists, Robison admits that his behavior was decidedly disturbing, sometimes foolish and often dangerous. Asperger’s can lead to a life of isolation, but the author credits interested adults with drawing him out as a child and keeping him engaged with human beings. He dropped out of high school at age 15 and left home at 16, impelled by a troubled family situation (alcoholic father, mentally disturbed mother) into the working world. While people were a mystery to him, machines were not. He became a self-taught sound engineer for rock bands and later a designer of electronic toys. The discovery at age 40 that his strangeness had a name altered Robison’s view of himself, giving him a new confidence and enabling him to find more acceptable ways of coping with other people. He has learned to look them in the eye and even make small talk. His essays on choosing a wife and on naming people (he calls his spouse Unit Two, because she’s a middle sister) suggest that the prankster in him still lives, but they also demonstrate the oddness of the Asperger’s mind. Chapters on his son and on his late discovery of friendship are truly moving.

The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally useful contribution to the literature.

Pub Date: Sept. 1, 2007

ISBN: 978-0-307-39598-6

Page Count: 304

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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