edited by John Freeman ‧ RELEASE DATE: Oct. 8, 2019
In this collection, California in all its glorious complexity comes vividly to life.
John Freeman understands California.
Freeman was raised in Sacramento, and his sensibility is personal but also collective in the sense that he has thought deeply about the state. “California,” he writes in his introduction to this sixth issue of his eponymous literary journal, “has for a long time been seen as the Valhalla of far-flung dreams.…California is also, however, the site of real people’s homes.…This schism—between what California represents in popular imagination and what it is, what it means to live there, to be from there—means Californians collide constantly with the rupture of existence.” Such a notion animates the 30 pieces of prose and poetry gathered here. The work is wide-ranging, by newcomers and established talents: Xuan Juliana Wang, Elaine Castillo, Frank Bidart, D.A. Powell. It tells the story of California in pieces, which is the only way it can be told. Jaime Cortez writes of fire and evacuation: “It occurs to me that in unison, millions of us are inhaling the sofas and ottomans of Paradise, the cars and gas stations of it, the trees and lawns, the clothes and detergent, the wedding pictures and divorce papers, the cadavers.” Héctor Tobar imagines a boy left alone so often by his working mother that she no longer needs to warn him, “Don’t turn on the stove or play with matches. Don’t open the door if anyone knocks. Don’t play with the electrical plugs.” Both writers are addressing what we might call ordinary peril—or more accurately, the necessity of doing what we have to do. Such a requirement sits at the center of California life. Some of the work touches on the broader myths by which the state is often stereotyped: Jennifer Egan on post-1960s San Francisco, Geoff Dyer on cannabis culture, Rachel Kushner on cars. But even here, the focus is on the idiosyncratic, the individual, rather than on the cliché. “We have not talked about your transcendence,” former poet laureate Juan Felipe Herrera insists in “California Brown,” a poem that recapitulates, in part, the state’s virulent racial history, “we have not talked about the forces of power / ripped into your bones & flamed out of your face.” The point—or one of them—is that, in California, one must learn to persevere.
In this collection, California in all its glorious complexity comes vividly to life.Pub Date: Oct. 8, 2019
ISBN: 978-0-8021-4787-5
Page Count: 304
Publisher: Grove
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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