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Whisper In My Ear

3

From the Whisper In My Ear series

While offering some enthralling accounts of war, this book delivers a frustratingly anticlimactic end to an otherwise strong...

This concluding novel in a trilogy examines three American lives that intersect during the Vietnam War.

Cathy Addison, a nurse stationed in Vietnam, is brutally beaten and repeatedly raped by a psychopath, Ray Slaugh, who was stalking her best friend and colleague, Barbara Mandera. Dion Murphy, Cathy’s boyfriend, enraged when he discovers what happened, tracks down Ray and kills him in self-defense. Soon after, Cathy shows up (it’s unclear how she too found Ray when the military could not), and shoots his corpse in a fuguelike fit of fury. Dion, a Marine lieutenant, enlists the help of a first sergeant to doctor the scene of the shooting, but military investigators figure out that he and Cathy are likely responsible, and prepare to prosecute both. Meanwhile, Cathy resigns her post and returns to Minnesota, pulverized by distress, especially after she learns she is pregnant as a result of the rape. Dion travels back to the United States to pledge his loyalty to her and marry her, and to stand by her side when they inevitably face trial. Meanwhile, Norman Coddington, a fighter pilot, finally learns that his girlfriend, Barbara, lied about her past—she was once a prostitute and sex slave, and hails from inauspicious beginnings. Norm leaves her, and Barbara, extremely distraught, attempts suicide. Shortly after, Norm is shot down flying over North Vietnam and captured, and the appalling ordeal forces him to reconsider his judgment of Barbara. The harrowing account of Norm’s treatment in captivity by the enemy continues the series’ commitment to a realistic, if often gruesome, portrayal of war. But this is the weakest of the three volumes, mostly because the narrative focus shifts from the war itself, Hardy’s (Whisper In My Ear, 2015, etc.) strong suit, and devolves into a soap opera. Furthermore, the writing remains just as cloyingly earnest as in the first two installments, and riddled with clichés: “It is better to have loved and lost than to not have loved at all.” And repeating the pattern of the first two volumes, the final book is indefensibly long at 806 pages. Despite the tale’s powerful depiction of Norm’s experience as a prisoner of war, readers won over by the first book may be disappointed by the last.

While offering some enthralling accounts of war, this book delivers a frustratingly anticlimactic end to an otherwise strong series. 

Pub Date: Aug. 4, 2015

ISBN: 9781515015048

Page Count: 564

Publisher: CreateSpace

Review Posted Online: Aug. 15, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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