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WHAT I DID WRONG

Familiar themes for a gay novel, but Weir conveys them inventively and effectively.

A gay scholar meditates on a lifetime of losses and humiliations both before and during the age of AIDS.

This second novel by Weir (The Irreversible Decline of Eddie Socket, not reviewed) is set during a single day in 2000: Tom, a 40-something community-college English teacher and novelist living in New York, is roped into joining his childhood friend Richie as he meets an Internet acquaintance for a date. This small event provokes a cascade of memories for Tom, most of them deeply melancholic: the sad, slow death of his friend Zack as he succumbed to AIDS, the insults and worse from his classmates and teachers in high school who publicly berated him for being (or at least seeming) gay, his complicated emotional and sexual relationship with his friend Ava. Many of Tom’s remembrances are of being a gay man in the ’80s, which inevitably makes this novel at least partly an AIDS elegy—as Weir writes, “we didn’t have much of a context except illness and death.” But despite its title, and despite the fact that Tom is the contemplative and moody sort, this book is never burdened by a somber, self-pitying tone. If anything, Tom’s main torment—the crush he has on Justin, a young, handsome and talented student—brings energy and a feeling of optimism to the story. Weir’s finest achievement is the way he connects disparate events to create a sort of emotional synthesis—as when a trip to Herman Melville’s grave with Justin segues into Zack’s final days, and a stop at Richie’s apartment gives way to a memory of a high-school beating. Individually, they’re just scraps of events; woven together, they become revelatory passages on the wounds each of the characters bear, and on what gives them the strength to move their lives forward.

Familiar themes for a gay novel, but Weir conveys them inventively and effectively.

Pub Date: March 27, 2006

ISBN: 0-670-03484-3

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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