by Jonathan Maberry ‧ RELEASE DATE: April 10, 2012
The story’s fast pace helps it go down easy, but it’s almost all empty calories.
Even protagonist Joe Ledger, hero of three previous Maberry novels (The King of Plagues, 2011, etc.), knows that the premise of his latest adventure is totally ridiculous: Ledger scoffs at the idea of vampires with nuclear bombs, and Maberry can’t quite make a convincing case for them either.
At first Ledger, an agent with the super-secret Department of Military Sciences, believes he’s tracking some run-of-the-mill terrorists, who’ve planted several nuclear devices in various oil fields around the Middle East. But over the course of two intense, action-packed days, Ledger discovers a centuries-old conspiracy that involves a race known as the Upierczi, vampire-like creatures who are nearly immortal, drink blood, live in the shadows and are vulnerable to garlic. The Upierczi have been used as soldiers in a secret, ongoing pact between underground Christian and Muslim cabals to foster continued animosity between the two religions. Now the vampires are rising up against their masters, and they’re using nuclear weapons as their tools of rebellion. As Ledger and his DMS cohorts race to find and disable the bombs, various other secretive factions maneuver to protect their interests and take out their enemies. After facing down zombies, hybrid monsters and weaponized biblical plagues in previous novels, Ledger still has a tough time wrapping his head around the whole vampire thing, and the novel never really gets past the silliness of its setup. The more Maberry piles on the secret societies and far-reaching conspiracies, the harder it is to invest in the seriousness of the story and in Ledger’s angst about becoming a hollow killing machine. The sarcastic, skeptical Ledger is appealing enough, but his inner struggle (not to mention his potential romance with a deadly assassin known as Violin) is no match for Maberry’s hokey adventure-serial plotting and popcorn-movie action sequences full of meaningless bluster.
The story’s fast pace helps it go down easy, but it’s almost all empty calories.Pub Date: April 10, 2012
ISBN: 978-0-312-55220-6
Page Count: 464
Publisher: St. Martin's Griffin
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Renée Knight ‧ RELEASE DATE: May 19, 2015
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
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