An outlandish but superfluous zombie yarn that is gruesome, imaginative and grateful to its inspirations.
A rogue scientist’s experiment in revenge wreaks havoc on a rural township in Pennsylvania.
A rare one-off from the prolific Maberry (Dust & Decay, 2011, etc.) recycles bits and pieces from B-horror flicks and adds a few twists of its own. The author dedicates the book to George A. Romero, penning an unapologetic love letter to Romero’s Night of the Living Dead, right down to a setting in rural Pennsylvania. It’s here in pastoral Stebbins County that things go to hell. It starts at a new-age funeral home whose proprietor, Doc “Lee” Hartnup, is startled to find the corpse of serial killer Homer Gibbon. Stumbling into a grotesque crime scene are two local cops, JT Hammond and his partner Desdemona “Dez” Fox. JT is more soulful, a quiet, cautious cop and father figure. Predictably, the book focuses on the voluptuous Dez: “Built like Scarlett Johansson, with ice blue eyes, bee-stung lips and a natural blonde if the rumors were true.” Her self-destructive rage veers dangerously near caricature while her characterization as “Genghis Khan with boobs” doesn’t exactly inspire affection. Still, this shortcoming won’t detract Maberry’s legions from enjoying his breathless, clipped prose as the zombie plague accelerates—just as a hurricane bears down on Stebbins County. The truly creepy part comes when local hack and serial-killer aficionado Billy Trout starts tracking down Gibbon’s back story. Billy roots out Dr. Herman Volker, an East German scientist smuggled out by the CIA. To avenge an old family trauma, Volker has resurrected a secret formula. “Can you think of a more fitting punishment for a serial murderer than to be awake and aware in a coffin while his body slowly rots?” Volker’s detailed, believable description of the unspeakable cocktail he’s invented, right down to cribbing from The Serpent and the Rainbow, is as inventive as it is sickening.
An outlandish but superfluous zombie yarn that is gruesome, imaginative and grateful to its inspirations.Pub Date: Nov. 1, 2011
ISBN: 978-1-250-00089-7
Page Count: 368
Publisher: St. Martin's Griffin
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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