Unglamorous and sad, but compelling.

THE HALF-LIFE

A first novel explores two friendships in two centuries in the Pacific Northwest.

Raymond’s impressive debut lays out stories linked by shared ground near Portland, Oregon. Callow Cookie Figowitz, cook for a trapping party in the early 19th century, finds a naked stowaway on the fringe of his campsite and, despite the dwindling food supplies, feeds and hides the handsome Henry, an energetic young character who has already sailed the globe and is now hiding from the pack of Russians who murdered his Indian friends nearby. Their ensuing deepening friendship will lead the young men into a somewhat daffy economic venture, the extraction and sale of castoreum, a beaver musk highly prized in China. The castoreum sells, but Cookie is clapped in a Cantonese prison for decades. A hundred and fifty years later, teenagers Tina Plank and Trixie Volterra stalk the same acres, now a slightly bedraggled hippie refuge, in the 1980s. Trixie, exiled from LA after brushes with the law, is living with a family friend. Tina’s mother’s research project in Santa Cruz has fallen victim to Reaganomics, so she’s come to Oregon to regroup, bringing her smart but sullen daughter, who slowly bonds with the more flamboyant Trixie. The hippie ethic leaves the sloppily educated girls to their own devices, in this case the evolution of a goofy but imaginative screenplay about a Philadelphia physician who invents the frontal lobotomy. In the midst of the surprisingly successful beginnings of the film project, Neil Rust, who owns the ragtag farm, uncovers a pair of skeletons on ground that used to be a bog. Despite forensic evidence that the bones belong to a European and an Asian, the local Indians claim ownership and burial rights. The stalemate over the bones becomes a big news story that will eventually trample the film venture and lead to a tragedy as sad as that of Cookie’s end in that same bog.

Unglamorous and sad, but compelling.

Pub Date: May 14, 2004

ISBN: 1-58234-448-5

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2004

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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