OUR KIND OF PEOPLE

THE STORY OF AN AMERICAN FAMILY

Leisurely paced and earnestly revealing, this proper, well-proportioned book memorializes the Yardleys, the author's own family, re-creating the family history by drawing on personal memory and the extensive contents of a file his parents kept for 50 years. Yardley's father Bill was a girls' school headmaster who studied for the ministry to further his academic career; crusty, disciplined, and well-mannered, he had aristocratic pretensions but also cared deeply about books and the girls of Chatham Hall. Helen, the author's mother, was in Bennington's first graduating class; marrying soon after, she apparently shelved plans for an art career to become the headmaster's wife and raise four children, acknowledging some bitterness over the choice only late in life. The two shared a love of fine things—some pieces of furniture seem like beloved members of the family—and a continuing recognition of their silver-plated circumstances: never having quite enough money, beholden to people who had much more. Yardley justly likens them, especially his father's clan, to "characters from a Marquand novel," for in their aspirations and pretenses, their coded public behaviors and more relaxed private styles, their strongly expressed convictions and old prejudices, they indeed resemble that novelist's genteel WASP creations. Appreciating the subtleties and contradictions in their personalities, Yardley is able to separate small posturings and tiresome quirks from true qualities of character, all the while remembering his own unique position here—an insider trading on family stock. Traces of his varied legacy are apparent in his handling of certain subjects, such as sickness or divorce, as well as in the sure cadences of his formal, fluent prose. Although much of this narrative is diverting—the Pulitzer Prize-winning critic (1981) deftly captures habits and attitudes—it has weaknesses that even his kind of people won't value: too much emphasis on school rituals and the family finances especially. As a record of a particular way of life, however, it is both faithful and emblematic.

Pub Date: March 1, 1989

ISBN: 1-55584-174-0

Page Count: -

Publisher: Weidenfeld & Nicolson/Trafalgar

Review Posted Online: June 24, 2010

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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