What curmudgeon would argue?
Once there was a parablist named Joshua and at times his fresh new parables were received with open minds by reviewers (Joshua in the Holy Land, 1992) as Joshua brought peace to the strife-torn Middle East. Yet in still later sheaves, as Joshua set about reforming sin-laden New York City, reviewers felt an encroaching blandness wash over them (Joshua and the City, 1995).
Clearly one cannot read all of Joshua’s parables at one sitting, particularly when one may not share Joshua’s views that God awaits all at journey’s end and will judge the righteous and the unrighteous and that heaven is a shining city to be sought under the guidance of the church while God counts (and recounts) votes for or against us with His mind as open as a left-wing liberal’s while perhaps weighing our interest in the social security of our offspring and the need for enforcing or cutting the death tax and measuring our decision to back or not back legal executions for capital offenses. Why not, a Republican might ask, embrace the wealthy just as warmly as we do the poor and spiritually disenfranchised? But Joshua’s latest parables fearlessly take on the hardhearted businessman, obsessed by the ever-rising value of his stocks, and in no way support Big Money. He takes on moviemakers focused on massacres. He dispenses wisdom about marriage in the parable in which Satan seduces the devoted wife, and in the parable of the ants shows how the peaceful and cooperative ant builds a healthy home life that husbands and wives should look to—though he fails to note the rages between rival ant colonies. To one synagogue he describes God as a Supreme Artist whose masterpiece includes the most far-flung matter in the Universe and whose Artistic Genius is not to be understood quickly, although He has a tender heart, witness our taste buds and eyes and ears for experiencing the ecstasy of His creation.
What curmudgeon would argue?Pub Date: March 20, 2001
ISBN: 0-385-49511-0
Page Count: 176
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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