A collection of heartfelt, deftly composed stories about the human condition.
Fifteen sharp and cutting short stories from Austin-based writer Denslow.
Denslow opens his debut collection by quoting a Tom Waits song, so it’s no surprise the characters within resemble the kinds of affable, sometimes-laughable sad sacks and beautiful losers you find in American fiction from Steinbeck to Bukowski. The opener, “Too Late for a Lot of Things,” resembles Sedaris’ infamous “Santaland Diaries,” if the smallish person at Santa’s Workshop were meaner and tormented by heartland hicks instead. Denslow clearly likes flash fiction, and you find it in ultrashort pieces like “My Particular Tumor,” which recalls the narrator’s obsession with his organs in Palahniuk’s Fight Club, and “Bio,” which chronicles the sad bylines of a writer in a failing marriage. Palahniuk’s underground echoes again in “Punch,” which imagines that citizens are given a pair of federally mandated vouchers to legally pummel someone every now and again. The stories here are deeply grounded in everyday life, mostly among people who aren’t making very much of their days, but Denslow allows a touch of magical realism every now and again. In “Proximity,” our leading man can teleport. “It just hurts like a bitch,” though. Meanwhile in “Dorian Vandercleef," a writer discovers that the subject of his novel is in fact writing the same book—in the first person. Finally, in the title story, a troubled youngster in a strange institute yearns to discover his secret power. Elsewhere, the specter of death hangs over stories in ways both morbid and morbidly funny. The narrator of “Mousetrap” gives his running monologue of suicidal thoughts before an ironic accident saves his life. Another guy attends the funeral of a friend, albeit in hopes of getting laid. When a best friend dies in “Extra Ticket,” the survivor doesn’t know how to process his grief.
A collection of heartfelt, deftly composed stories about the human condition.Pub Date: March 27, 2019
ISBN: 978-1-7328686-2-5
Page Count: 160
Publisher: 7.13 Books
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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