Though her past seems to her fragmentary and elusive, what she remembers—or imagines—is warmly, gently told.
Glimpses of the iconic writer’s youth.
Oates (Humanities/Princeton Univ.; Lovely, Dark, Deep: Stories, 2014, etc.), the highly prolific author and winner of many prestigious literary awards, gathers 28 pieces, most revised from previous publications, into a tender, often moving evocation of the physical and emotional landscapes that have shaped her. Although she has published a volume of journals, an account of her grief after her husband’s sudden death, and many personal essays, Oates portrays herself as a reluctant memoirist. She worries about “violating my own self” and “exposing my very heart,” as well as writing “anything that disturbs, offends, or betrays any other person’s privacy.” Recalling a friend who committed suicide and another who was sexually abused, Oates felt compelled to change details, as well as to create “a quasi-fictitious character named ‘Joyce’—who is almost entirely an observer…more emotionally detached (and more naive) in the memoir than I had been in actual life.” Nevertheless, she reveals some intimate details: a childhood plagued by shyness, self-doubt, and anxiety; recurrent insomnia; the mystery and burden of having an autistic sister; and feeling like an outsider at Syracuse University (“as a scholarship girl I was a spy in the house of mirth”). As a graduate student at the University of Wisconsin, she was “profoundly disillusioned” by her professors’ stultifying approach to literary analysis. She fell in love and married, but her husband remains a shadowy figure, his memory too precious to share with readers. Oates identifies the roots of some works: a serial murder case inspired the much-anthologized “Where Are You Going? Where Have You Been?” and her experience living in Detroit informed several novels. The circuitous, impressionistic narrative returns often to her parents, “extraordinary people morally,” whom she portrays in loving detail.
Though her past seems to her fragmentary and elusive, what she remembers—or imagines—is warmly, gently told.Pub Date: Sept. 8, 2015
ISBN: 978-0-06-240867-9
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: June 3, 2015
Kirkus Reviews Issue: June 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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