Another good entry in this series, starring a thoughtful, earthy heroine who’s a magnet for danger.


This fourth mystery in a series pits a psychic Nebraska attorney against local racists.

For a small-town lawyer, Megan Docket leads a dramatic life. She hears eerie voices of the dead in the wind that sweeps through the dry, rugged land of Dexter, Nebraska, and she gets strong premonitions of trouble to come—and there’s always trouble, it seems. Megan has “killed four men in the last four years, which must be a record for Nebraska attorneys under the age of thirty.” It was self-defense, but sadly, the most recent attack killed Megan’s unborn baby and destroyed her marriage. This time, trouble starts when a burning cross is set aflame on her land, apparently to intimidate Megan’s family friend/father figure, James Wilson, 65, one of Dexter’s few black citizens. He suffers a stroke, which brings friends and family to town for help. Megan’s uncle brings along Raz and Nori Peters, Lebanese Christians like Megan’s maternal side of the family, who are lying low after political troubles at home. As Megan forms a Night Posse to investigate the cross burning (and additional hate crimes), she becomes uneasily attracted to Raz. When another death occurs, Megan is arrested. Events build to a violent confrontation with a dangerous killer as James’ health worsens. Though Megan uncovers several truths, her experiences severely test her faith in friends and God. As in her previous novels, Bruce (Cries In the Wind, 2016, etc.) presents a distinctly realized, fully populated world. At times, the welter of names and interrelationships can become daunting, but Bruce provides good exposition to help keep track. Megan’s personality interestingly combines practicality and ruthlessness with thoughtfulness and deep compassion. She’s good at her job, skilled with a gun, serious about her faith, appreciative of hot men, and generous with money. Bruce keeps the plot moving at a crackling pace, and the action nicely intertwines with Megan’s personal crisis regarding James’ living will and tragic losses she’s suffered.

Another good entry in this series, starring a thoughtful, earthy heroine who’s a magnet for danger.

Pub Date: April 15, 2017

ISBN: 978-1-57638-622-4

Page Count: 268

Publisher: Merriam Press

Review Posted Online: Feb. 14, 2018

Did you like this book?

No Comments Yet


While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet