by Judy Bruce ‧ RELEASE DATE: April 15, 2017
Another good entry in this series, starring a thoughtful, earthy heroine who’s a magnet for danger.
This fourth mystery in a series pits a psychic Nebraska attorney against local racists.
For a small-town lawyer, Megan Docket leads a dramatic life. She hears eerie voices of the dead in the wind that sweeps through the dry, rugged land of Dexter, Nebraska, and she gets strong premonitions of trouble to come—and there’s always trouble, it seems. Megan has “killed four men in the last four years, which must be a record for Nebraska attorneys under the age of thirty.” It was self-defense, but sadly, the most recent attack killed Megan’s unborn baby and destroyed her marriage. This time, trouble starts when a burning cross is set aflame on her land, apparently to intimidate Megan’s family friend/father figure, James Wilson, 65, one of Dexter’s few black citizens. He suffers a stroke, which brings friends and family to town for help. Megan’s uncle brings along Raz and Nori Peters, Lebanese Christians like Megan’s maternal side of the family, who are lying low after political troubles at home. As Megan forms a Night Posse to investigate the cross burning (and additional hate crimes), she becomes uneasily attracted to Raz. When another death occurs, Megan is arrested. Events build to a violent confrontation with a dangerous killer as James’ health worsens. Though Megan uncovers several truths, her experiences severely test her faith in friends and God. As in her previous novels, Bruce (Cries In the Wind, 2016, etc.) presents a distinctly realized, fully populated world. At times, the welter of names and interrelationships can become daunting, but Bruce provides good exposition to help keep track. Megan’s personality interestingly combines practicality and ruthlessness with thoughtfulness and deep compassion. She’s good at her job, skilled with a gun, serious about her faith, appreciative of hot men, and generous with money. Bruce keeps the plot moving at a crackling pace, and the action nicely intertwines with Megan’s personal crisis regarding James’ living will and tragic losses she’s suffered.
Another good entry in this series, starring a thoughtful, earthy heroine who’s a magnet for danger.Pub Date: April 15, 2017
ISBN: 978-1-57638-622-4
Page Count: 268
Publisher: Merriam Press
Review Posted Online: Feb. 14, 2018
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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