An overly complicated mystery with an engaging protagonist.

VENGEANCE IN THE WIND

After a man is murdered in a Halloween haunted house, a psychic Midwest lawyer investigates the killing in this sixth installment of a series. 

Thirty-year-old Megan Docket, an attorney in tiny Dexter, Nebraska, specializes in estate planning, but—as described in five previous novels—she has found herself investigating and solving criminal cases, most recently a double murder, and has killed many times in self-defense. She’s helped by a warm community of friends and family and by the supernatural: Megan is warned of danger by presentiments and voices she hears in the winds scouring the dry bluffs near her house. As the book opens, Megan is still traumatized by recent events, such as the loss of her unborn child, and is troubled by problems in her new marriage to Jay Young, a lieutenant in the State Patrol. In need of distraction, she agrees to help plan a haunted house for Halloween. Finally open to the public, the house becomes the site of a murder, and the sheriff arrests the wrong man. Megan and her allies set out to find the truth, leading to a dangerous confrontation with the real killers—who hold her mother and Docket Law employees hostage. To outwit them, Megan will need to muster her associates and mount a daring rescue. Bruce (Game Six, 2018, etc.) provides, as always, a strong sense of place, diverse characters, and a twisty mystery. The main investigation story is rounded out by domestic concerns, such as Megan’s worries about her new marriage. Contradictions in her character make her a complex subject, one as likely to protect herself with deadly force as to generously help others. But these strengths become overwhelmed by the tale’s giant plethora of names and relationships, which (even with effective exposition) overtake the storytelling, slow the pace, and burden readers with attempts to keep things straight. Book 5 provided a cast list, but this one has no such memory aid. In addition, the voices-in-the-wind plot element becomes a little tired, even perfunctory, in this outing, which doesn’t live up to previous volumes.

An overly complicated mystery with an engaging protagonist.

Pub Date: Oct. 11, 2019

ISBN: 978-1-68731-846-6

Page Count: 250

Publisher: Self

Review Posted Online: Oct. 19, 2020

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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