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THE THIRD SISTER

Yet another Jane Austen sequel from the pseudonymous Barrett (Presumption: An Entertainment, 1993), this time continuing the adventures of the Dashwood girls from Sense and Sensibility. Fortuitously timed amidst a virtual Austen revival, Barrett's continuation of the classic marriage novel leaves us with the dilemmas of the forgotten third sister Margaret, described by Austen as a ``well-disposed girl; but as she had already imbibed a good deal of Marianne's romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of her life.'' Barrett, taking up Margaret's cause, gives her a plot of her own. Her sisters are both happily married and comfortably established: Elinor is a useful matron to her husband's Dorset parsonage, and Marianne is happy as the wife of Colonel Brandon, a wealthy landowner. Margaret, eager to leave the dull life of Barton cottage and her unofficial position as nanny to her cousins, the nearby Middletons, goes looking for a proper match. Potential husbands line up from the right and the left, with a few red herrings thrown in for good measure. The arrogant and dashing William du Plessy is the first contender but proves too bold for Margaret's liking. Then there's the humble and handsome George Osborne, a more suitable candidate, though surprisingly secretive. Meanwhile, a diverting subplot concerning sister Elinor and her husband's inheritance breaks up the predictability of Margaret's fate. Going back and forth to Brighton with her new- found friend Lady Clara, Margaret encounters some not so surprising coincidences and has some chance meetings, becoming engaged to the wrong kind of man and saved in the final hour by the right kind. An interesting and ambitious idea gone to waste. Lacking the broad panorama of Austen's social insight and her depiction of provincial life, only the details and many plotting devices remain, leaving, at best, a momentary amusement.

Pub Date: Aug. 22, 1996

ISBN: 1-55611-496-6

Page Count: 256

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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