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THE THIRD SISTER

Yet another Jane Austen sequel from the pseudonymous Barrett (Presumption: An Entertainment, 1993), this time continuing the adventures of the Dashwood girls from Sense and Sensibility. Fortuitously timed amidst a virtual Austen revival, Barrett's continuation of the classic marriage novel leaves us with the dilemmas of the forgotten third sister Margaret, described by Austen as a ``well-disposed girl; but as she had already imbibed a good deal of Marianne's romance, without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of her life.'' Barrett, taking up Margaret's cause, gives her a plot of her own. Her sisters are both happily married and comfortably established: Elinor is a useful matron to her husband's Dorset parsonage, and Marianne is happy as the wife of Colonel Brandon, a wealthy landowner. Margaret, eager to leave the dull life of Barton cottage and her unofficial position as nanny to her cousins, the nearby Middletons, goes looking for a proper match. Potential husbands line up from the right and the left, with a few red herrings thrown in for good measure. The arrogant and dashing William du Plessy is the first contender but proves too bold for Margaret's liking. Then there's the humble and handsome George Osborne, a more suitable candidate, though surprisingly secretive. Meanwhile, a diverting subplot concerning sister Elinor and her husband's inheritance breaks up the predictability of Margaret's fate. Going back and forth to Brighton with her new- found friend Lady Clara, Margaret encounters some not so surprising coincidences and has some chance meetings, becoming engaged to the wrong kind of man and saved in the final hour by the right kind. An interesting and ambitious idea gone to waste. Lacking the broad panorama of Austen's social insight and her depiction of provincial life, only the details and many plotting devices remain, leaving, at best, a momentary amusement.

Pub Date: Aug. 22, 1996

ISBN: 1-55611-496-6

Page Count: 256

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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