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JANE AUSTEN'S CHARLOTTE

Austen’s wit seems less sparkling and more forced in so trite a setting.

The pseudonymous author of two Jane Austen sequels (The Third Sister, 1996, etc.) here takes up Austen’s unfinished

manuscript satirizing land speculators and fashionable seaside towns, completing it with period style and dash, though plot developments are less satisfying Austen began The Brothers (better known as Sanditon, the name her survivors gave it) shortly before she died in 1817. The 12 chapters she wrote promise a spirited satire of the burgeoning popularity of seaside resorts, whose air and water were thought to have healing powers, and Barrett picks up where Austen left off. Several themes have contemporary resonance, particularly the characters” preoccupation with alternative medicine and the desire of property developers Mr. Parker and Lady Debenham to profit from this fashion. These two, who have invested money in building houses to rent, hope that Sanditon will be the next Brighton. The folly of their enterprise is seen mostly through the eyes of Charlotte Heywood, a young woman staying with the Parkers in their new seaside villa, Trafalgar House. Charlotte is amused by romantic, verse-quoting Sir Edward, Lady Debenham’s nephew and heir, but Edward himself is more taken with Clara, the Lady’s penniless prot‚g‚e. As the season opens, a gratifying number of wealthy visitors arrive, as do Mr. Parker’s hypochondriacal sisters and youngest brother, who soon find their health, happiness, and vocation in Sanditon. Also in attendance is Sidney, another Parker brother, who shares Charlotte’s sardonic understanding of others” follies. Mutual attraction ensues as the plot labors to thicken. The resort still has too many vacant accommodations, so Sir Edward goes to London, hoping to make money by persuading a horse-racing and gambling establishment to move to Sanditon. It does, but the ensuing scandal soon empties the town. Only love triumphs. All those nice Regency details are here, but the people are sketchy creatures compelled to rush through a creaky plot. Even

Austen’s wit seems less sparkling and more forced in so trite a setting.

Pub Date: April 1, 2000

ISBN: 0-87131-908-X

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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