A historic page-turner that promises to bring fans new and old to the table.
Trop (The Deadliest Sport, 2017, etc.) lends depth and familiarity to an ancient world and adds modern thriller sensibilities in this latest historical mystery novel, the fourth in the series.
Miriam bat Isaac, an aspiring alchemist in first-century C.E. Alexandria, has had a complex life. Having dealt with the dangers of alchemical techniques themselves and people competing with or acting against the Jewish alchemists working on such research, she finds herself in the rare position of both being an expert in alchemical science and in unraveling the conspiracies and threats that beset her and those around her. So it’s all the more surprising when she’s faced with her most puzzling challenge yet—an attack on Alexandria’s Great Synagogue that leaves its Torah mantle damaged. That alone would be a mystery worth tackling, but when her alchemist colleague (and the longtime object of her affections) Judah repairs the mantle, he finds that none of the gems embedded in the sacred object were stolen, leaving the culprit’s motives all the more uncertain. When a missive warning of a veiled need for additional guards at the synagogue appears, Miriam’s concerns only deepen. As she investigates, she finds more and more doubt and confusion about this particularly twisted piece of intrigue, and it’s dark and dangerous enough that it could very well be her last. As in previous books, Trop’s prose is strong, with clean, natural dialogue and a particular flair for the kinetic details of action scenes and the dramatics of disguise and investigation. The complex cultural dynamics of Jewish people in this society are well-researched, a welcome facet of the series. What’s more, even new readers will find themselves caught up in the setting via effective description and a liberal application of culture- and setting-specific terms. Fans of the series may be interested to note that, while this book brings with it the tension and quick pacing of previous entries, it does feature fewer scenes of violence and action-fueled drama. Certainly this is unsurprising, because the previous book focused on Miriam’s brother, Binyamin, and his fellow gladiators, but it’s worth noting this installment’s shift to a greater focus on investigation, questions, and uncertainty.
A historic page-turner that promises to bring fans new and old to the table.Pub Date: April 28, 2018
ISBN: 978-1-62694-875-4
Page Count: 248
Publisher: Black Opal Books
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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