Unwillingly keeping a journal at the behest of her brother, a monk, Birdy (daughter of a 13th-century knight) makes a terse first entry—"I am bit by fleas and plagued by family. That is all there is to say''—but is soon confiding her pranks and troubles in fascinating detail. Her marriage must suit her drunken father's financial needs, and though the 14-year-old scares off several suitors (she pretends to be mad, sets fire to the privy one is using, etc.), in the end she's "betrothed and betrayed.'' Meanwhile, she observes Edward I's England with keen curiosity and an open mind, paints a mural in her chamber, evades womanly tasks whenever possible, reports that—ladylike or no— "I always have strong feelings and they are quite painful until I let them out,'' and chooses her own special profanity, "God's thumbs.'' At year's end she makes peace with her family and acquires, beyond hope, a possibly compatible betrothed (they have yet to meet). Birdy's frequent saint's day entries begin with pithy summaries of the saints' claims to fame; their dire deaths have a uniquely medieval tang, as do such oddities as St. Bridget turning bathwater into beer. Much else here is casually earthy—offstage bedding among villagers, home remedies, pissing out a fire—while death is commonplace. The period has rarely been presented for young people with such authenticity; the exotic details will intrigue readers while they relate more closely to Birdy's yen for independence and her sensibilities toward the downtrodden. Her tenacity and ebullient naivete are extraordinary; at once comic and thought-provoking, this first novel is a delight. Historical note. (Fiction. 12+)
Pub Date: April 18, 1994
ISBN: 0-395-68186-3
Page Count: 192
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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