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WIFE IN THE FAST LANE

Unappealing.

Ex-Olympic sprinter trades life as a CEO for life as a spoiled Manhattan mom.

Christy Hayes cashed in on her fame as a medal-winning Olympic sprinter and founded Baby G sneakers. Now at the helm of a multimillion dollar business, Christy’s inexperience starts to show. The gorgeous runner is a born leader, but lacks the formal schooling and experience necessary to run her organization. Christy’s biggest mistake is placing too much trust in her #2, Katherine. When Christy jets off to Davos to hobnob at a global business conference and perhaps glean some leadership pointers, Katherine stays back in the U.S. to hatch a plot to oust Christy. Unaware of the trouble brewing at home, Christy is star-struck by the leaders who surround her. One night over a magnum of champagne, Christy connects with Michael Drummond, a media mogul. The romantic evening of soul-baring leads to a wedding and the creation of another New York power couple. Michael and Christy vow to stay childless and devote themselves to their marriage and their businesses. Christy was barely able to stay on top of her business before Michael; the responsibilities of married life cause her to blindly leave her company in the hands of her nemesis. As Katherine goes into full attack mode, culling board support to oust Christy, Christy’s beloved maid, Maria, dies. Maria’s last request was for Christy to adopt Maria’s granddaughter. In the blink of an eye, Christy has gone from single to married with children. Christy decides to relinquish her leadership role at Baby G and tend to her family. Thinking her new job will be rewarding, Christy is devastated when she flounders at being a trophy wife and perfect mother. Quinn (The Ivy Chronicles, 2005) tosses everything into this clunker. It’s impossible to relate to any of the deficient, poorly developed characters, and the jumbled plot is tangled with knots.

Unappealing.

Pub Date: March 13, 2007

ISBN: 0-7432-9396-7

Page Count: 448

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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