A novel that sometimes struggles under its own weight but that’s well worth reading.
Marlantes (What it Is Like to Go To War, 2011, etc.) moves from the jungles of Vietnam to the old-growth forests of Washington in this saga of labor and love.
It’s the late summer of 1901, and Aino Koski is learning to read and write courtesy of a schoolteacher boarding with her family in the Finnish backwoods, his textbook of choice The Communist Manifesto. Soon she’s a socialist, and so she will remain, even as her neighbors and siblings follow other beliefs and courses. Escaping the Russian occupation of her country, Aino and others in her community move across the waters to Washington state, where, despite her hope that America will prove a socialist paradise, any utopianism is worn away by the realities of endless hard work in the forests and mills: “Aksel’s hands," Marlantes writes, “work-hardened since he was a boy, still blistered from the nine-pound splitting maul and eight-foot-long bucksaw.” Aino devotes herself to labor activism while members of the Finnish immigrant community work, build families and lives, grow old, and die. Aino hardly has time to take a breath, but she still finds room for agonies of secret-charged love that stretch out over the decades, until fate finally allows some measure of happiness: “He leaned over and smothered his face in her hair,” Marlantes writes poetically of Aino’s husband-to-be, who has followed a hard path of his own, “and the pain and the disappointment poured out as he said her name over and over." The story is long and has its longueurs, but Marlantes carefully builds an epic world in the forests of Scandinavia and the Northwest, taking pains to round out each character, especially the long-suffering Aino. Drawing on his family history, he weaves themes from the Kalevala, the Finnish national epic—as he writes, the paterfamilias has named all his children after the mythological heroes and heroines in its pages—as well as real-world events in the annals of the early-20th-century labor movement.
A novel that sometimes struggles under its own weight but that’s well worth reading.Pub Date: July 2, 2019
ISBN: 978-0-8021-2538-5
Page Count: 736
Publisher: Atlantic Monthly
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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