Readable and well written, though not quite in the class of Tim O’Brien, Philip Caputo, Michael Herr, Robert Stone and other...

MATTERHORN

An ambitious first novel about the Vietnam War, written over three decades by a Marine veteran of the fight.

Less melodramatic and more realistic than Denis Johnson’s Tree of Smoke, with which it invites comparison, Marlantes’s long but simply structured narrative recounts the unhappy lot of a Marine lieutenant, usually called only Mellas, and the platoon under his command. Stuck in a firebase called Matterhorn, up near the Demilitarized Zone, Mellas, who is handsome, smart, canny and politically astute, if perhaps not a “natural hunter,” finds himself in the unenviable position of having what seems like the entire army of North Vietnam bearing down on the post. The long battle that ensues, framing the book, tests the Marines’ mettle, and it fells many of them. Marlantes, who saw combat, writes with authority on every aspect of Marine life, from the terrible chow (in one fine moment, he describes an improbable meal made of eggs, chocolate, Tabasco sauce and apricots) to the complex rules (“Bullshit, sir!...I’m a fucking squad leader and squad leaders can have stashes”) and the hard realities of Vietnam, from the fragging of unpopular brass and NCOs to death in all kinds of unpleasant ways (“Imagine dying of thirst in a monsoon”). The combat scenes, and there are many, are finely rendered. Overall, the narrative is a little predictable, however, and it offers only a few surprises of character development and plot that can’t be seen coming from afar, including a tense, expertly delivered moment in which Mellas attempts to snipe at an NVA colonel: “Mellas waited as patiently as an animal. Time stopped. Only this one task. Wait for the bastard to turn around so he could see the bullets coming.”

Readable and well written, though not quite in the class of Tim O’Brien, Philip Caputo, Michael Herr, Robert Stone and other top-flight literary chroniclers of the war in Vietnam.

Pub Date: April 1, 2010

ISBN: 978-0-8021-1928-5

Page Count: 592

Publisher: Atlantic Monthly

Review Posted Online: Jan. 19, 2011

Kirkus Reviews Issue: Feb. 15, 2010

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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