A tried-and-true heroic tale made fresh with novelty and well-researched details.
This epic fantasy retelling of a classic story delivers characters both new and familiar.
Danley’s (A Spirited Manor, 2018, etc.) tale has a mythic bent from the beginning, as the corrupt sheriff of Nottingham murders Robin Hood’s father and burns their family farm to the ground. This episode invokes the idea of the monomyth (and a call to action, especially for the farm boy). From there, the story hits familiar beats but keeps them fresh with information from folktales and oral traditions apparently pre-dating the Robin Hood mythos of modern popular culture. Exiled, Robin escapes to Sherwood Forest, where he meets Little John (fleeing the sheriff’s service). The two become friends and join forces with others, adopting a moral code even as they turn to highway robbery to survive. Interestingly, this code is less contingent on their targets’ wealth than their honesty, as Robin and his companions visit justice on only those who lie when asked if they have money. Rather than resorting to violent acts, they have a strict rule against killing and, in fact, invite some weary travelers to join them in their feasts. Further, Robin renounces Christianity early in the story, seeing clergymen as another aspect of the corrupt state, preying on the downtrodden and coveting riches beyond their needs. This stance—as well as the fact that Robin is neither a nobleman nor a loyalist to an absent king, as in some adaptations—sets Danley’s protagonist apart from the simplicity of the morality plays the character often stars in and introduces pagan religion and a philosophy akin to political anarchism, with its strong opposition to unjust hierarchies. Some readers may find that these elements fail to breathe new life into the tale’s well-trod ground, especially as the plot proceeds. Robin (now beloved by the poor) is pitted against an increasingly irate sheriff, forcing the hero to use only his wits and skills to save his friend and lady love. The bones of the narrative are familiar (Little John says of Robin: “He gets one taste of treating folks with kindness, and it is like a thirst that is never quenched”). But the classic story endures for a reason, and many readers will likely find themselves intrigued and entertained by the novel’s rich prose, intense action, historical and mythological depth, and captivating innovations.
A tried-and-true heroic tale made fresh with novelty and well-researched details.Pub Date: Sept. 20, 2018
ISBN: 978-1-72384-312-9
Page Count: 313
Publisher: Time Tunnel Media
Review Posted Online: Nov. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
