150 POUNDS

Two 20-something bloggers consider American women’s love/hate relationship with food in this amusing second novel from Rockland.

The story opens on the set of Oprah as Alexis (author of the Skinny Chick blog) and Shoshana (of Fat and Fabulous fame) are about to weigh in on weight. Shoshana’s blog advocates that a healthy self-esteem and healthy diet are all women need to feel good about themselves, no matter the dress size. She’s over 200 pounds, and her millions of followers, called Fatties, like her just the way she is. Alexis, barely 100 pounds, writes about America’s alarming obesity epidemic and dictates everyone should count their calories and burn their buns. After the explosive TV appearance, the two part ways and don’t meet again until a year later at the end of the novel. In the meantime, both Shoshana and Alexis come to realize that their fanaticism stems from…issues. Alexis, proud of her tart bitchiness, lives with her best friend Billy. While Billy is flamboyant and fun, Alexis lives a life controlled by weight—she weighs her food, herself, the value of others. She exercises at the crack of dawn to keep her whippet-like figure, but all that flies out the window when she meets Noah, a gorgeous, funny chef. Noah reminds her of her dead brother, and Alexis allows herself to be happy again. Less fragile than Alexis, Shoshana’s life changes when she inherits an old farmhouse and orchard. She befriends her eccentric Irish neighbor and begins restoring the property, with an eye to a new business venture. With all that manual labor, Shoshana begins to drop the pounds while pregnant Alexis begins to put them on, and the two meet in the middle. Occasionally the language lacks polish (“Shoshana had beautiful, stunning hair”) but Rockland’s study of the two women is fresh and enjoyable. Skinny chicks, chubby gals and all in between will connect to this perennially favorite female subject: how much a body should weigh.

 

Pub Date: Jan. 17, 2012

ISBN: 978-0-312-57601-1

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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