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DEATH QUALIFIED

A MYSTERY OF CHAOS

Another heaven-storming hybrid of mystery and fantasy from veteran Wilhelm (Cambio Bay; Sweet, Sweet Poison, etc.): What's the link between a powerful mind-altering computer program and two murders in the Oregon woods? Seven years ago Lucas Kendricks deserted his young family and took off for mathematician Emil Frobisher's research project in Colorado. Now, after one day's warning—he ordered a monster computer to be sent to his old address—he's back, and then, moments later, he's dead, along with a young woman he gave a lift to only a few hours before. The police think Lucas raped and killed the hitchhiker and was shot down by his tiny, sharpshooting wife Nell; but defense attorney Barbara Holloway, needled by her estranged father into coming back to him and the law (she'd been on the run from both for five years after a dose of professional disillusionment) is convinced that Lucas's death had more to do with the mysterious men who followed him from Colorado. Taking on her share of clichÇs—alliance with her curmudgeonly, reluctantly supportive father; opposition from prosecutor/former lover Tony DeAngelo; romance with mathematician Mike Dinesen (whom she's called in to make sense of the connections Lucas had with Frobisher, psychiatrist Ruth Brandywine, and computer expert Walter Schumaker)—Barbara delves into those blank seven years, and comes up with answers that are even scarier than the questions: a set of the most user-unfriendly computer disks in literature. What does all this have to do with Lucas's murder? Not enough, unfortunately: the mixture of metaphysical fractals, courtroom drama, psychological thrills, and formal detection never quite jells. But the audacious scope of Wilhelm's cosmic riddling may spoil you for mysteries that merely ask whodunit.

Pub Date: July 1, 1991

ISBN: 0-312-05853-5

Page Count: 448

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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