Rigorously unsentimental yet suffused with emotion: possibly the best work yet from an always stimulating writer.
An architect and his wife grapple with the aftermath of a catastrophic accident in Weber’s sixth novel (True Confections, 2009, etc.).
Duncan is left with a spinal injury after his car is broadsided by an 18-wheeler on the way back from one of the custom homes for wealthy clients that are his firm’s bread and butter. Wheelchair-bound and with the use of only one weak hand, he sinks into a suicidal depression his wife, Laura, hopes will be alleviated by Ottoline, a “monkey helper” trained to perform simple manual tasks he once took for granted. Duncan does develop a bond with Ottoline, and Weber captures in amusing detail her charged interactions with Laura, viewed as a rival for their alpha male. Overall, however, the tone is dark; Duncan broods over Todd, the apprentice architect who died in the crash, and he remains angrily uncooperative with Laura’s attempts to construct a new normal in their changed lives. Weber elucidates both spouses’ struggles in a tough-minded narrative studded with the shrewd, not especially charitable observations that are her trademark. Twenty-five-year-old Todd is nailed with the comment, “As was true of so many of his generation, [he] thought he was entirely original in all of his gentleman hobo hipster choices”; a partner in Duncan’s firm is dismissed as “secretly convinced of his own superiority…he always looked as if he had just returned from a safari or an ice-climbing expedition.” There are also tender moments between Duncan and his "tentative, unambitious" twin, Gordon, and a poignant episode when Laura finds and frames the one truly original design Duncan completed in architecture school before settling for a career doing “highly adequate and entirely unremarkable work.” Missed chances, like the baby the couple failed to conceive, jostle painful acknowledgments of underappreciated pleasures now denied Duncan, like gardening and cooking. His catalog of everything he has lost and his belated acknowledgment of the burden Laura has also borne form the keening climax to this stark and compelling novel.
Rigorously unsentimental yet suffused with emotion: possibly the best work yet from an always stimulating writer.Pub Date: Aug. 21, 2018
ISBN: 978-1-58988-129-7
Page Count: 287
Publisher: Paul Dry Books
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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