FLOURISH BECAUSE

A powerful, deeply religious memoir and moving tribute from a mother to her deceased son.

A devout Christian woman navigates tragedy, divorce, love, and loss in Whitaker’s memoir.

The author opens her memoir with a story from 2010, when she received a call about her son, James, who had climbed up a 60-foot billboard in a state of mental distress. As television news cameras, police, and onlookers gathered around the billboard, the author prayed for God to “let your angels fall all around him and lift him up”; shortly thereafter, rainclouds rolled in, and James climbed down to safety. This introductory story sets the tone for the rest of the memoir, which balances painful accounts of divorce and death with an optimistic trust, stemming from Whitaker’s Christian faith, in the power of God. Subsequent chapters walk readers through the major events of the author’s life, beginning with her childhood in the 1950s as the daughter of a geologist who moved their family across the United States and Canada from one oil patch to the next. Her son, James, characterized by his sweet demeanor and later struggles with mental health crises, plays a central role in the book, which culminates in his death via a self-inflicted stabbing; per the author, he was “under the influence of the Destroyer, Satan.” Failed relationships with men make up another major theme, as the 51-year-old author found herself “single again” in 2003 (she found an alternative to meeting single men in bars when she joined the American Singles Golf Association). An outgoing, straight-shooting, fifth-generation Texan, Whitaker is a talented storyteller who blends blunt honesty with heartfelt compassion and an ample assortment of Bible verses. Quintessentially Texan, the author was initially encouraged to write the book after her “gun guru” (a family friend from whom she purchased a pink Glock) was told by “the Lord” that Whitaker needed to tell her story. The book’s distinctly evangelical perspective may not resonate with all readers, but the author’s tribute to her son is profound. Whitaker’s engaging and personal narrative is accompanied by an ample assortment of family photos and snapshots.

A powerful, deeply religious memoir and moving tribute from a mother to her deceased son.

Pub Date: Aug. 22, 2023

ISBN: 9781956370010

Page Count: 336

Publisher: Carpenter's Son Publishing

Review Posted Online: Sept. 13, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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