The novel ends on a cliffhanger—all to the good, except it presupposes that the reader will have slogged through to the end...
The president is now not only black but also Jewish, and the tea partiers are having fits.
Well, not quite: Like Sammy Davis Jr., Luke Cooper wasn’t entirely born with those credentials, and the presidential election is still three years off when we meet him. Governor Cooper is one of the youngest state executives in the nation, and, as Goff writes by way of introduction, “widely recognized as a rising national star in the Democratic Party.” His wife Laura—try not to think of General Hospital—hates politics but is willing to support Luke as he follows his bliss, even willing to try to keep up with his sartorial splendor, for Luke knows how to rock an Armani suit. Although he’s been dubbed “the GQ Candidate,” he’s an amateur compared to some of the folks in his moneyed circle, powerful lawyers and hedge-fund managers who broker a dozen deals before breakfast and live lives befitting a Roman emperor. All of these things have political consequences; one of his confidants, for instance, figures in the news from time to time in articles “claiming that he had used his relationship with the governor as leverage for business opportunities,” with said confidant himself proclaiming, “The gov and I are like family. After all he wouldn’t be governor without me so you have nothing to worry about.” It’s anyone’s guess whether the author or the confidant is the one guilty of crimes against the English language, but this novel is flat and uninvolving, its characters shallow; what isn’t transparently borrowed from a certain real-life well-dressed president of color (hey, look, there’s Rahm Emanuel!) drifts by unremarkably. Goff's imagining of an ugly primary campaign in which mud is flung and bedclothes slung could have come from the headlines, too, while the stuff requiring imagination seems an afterthought.
The novel ends on a cliffhanger—all to the good, except it presupposes that the reader will have slogged through to the end of this overlong, unrewarding debut.Pub Date: July 5, 2011
ISBN: 978-1-4391-5872-2
Page Count: 384
Publisher: Atria
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
