by Kelly Wilken ‧ RELEASE DATE: Dec. 1, 2008
A well-thought-out blueprint for fixing a major problem in professional sports that, alas, will likely be benched by the...
Wilken’s debut novel offers an intriguing solution to the greed and inflated salaries marring the popularity of professional sports.
James Mitchum IV owns the Houston Tornadoes, a fictional NBA team. Disgruntled with some players’ me-first attitudes, Mitchum presents a radical idea to his fellow owners: instead of competing with each other to pay spiraling salaries, band together and offer set salaries to players in that year’s draft class—salaries just above the minimum specified in the collective bargaining agreement with the players’ union; then use the savings to improve teachers’ salaries across the country and lower ticket prices, so more fans can afford to attend games. As Mitchum later explains to a gathering of rookie players: “No one will be paid because they were a high performer in college. You have to perform with the big boys to get the big salaries.” Wilken deftly covers this issue from all angles, as the rest of the slim volume covers the fallout of the owners’ agreement, with reactions from the rookies—whether entitled, poor or international—their self-absorbed agents, the players’ union, and the media, along with input from the players’ friends and families. Some of the rookies rightly come off as whiny, such as Tyson Williams, the No. 4 draft choice from an upper-middle-class background: “Dad, they are offering me a measly $700,000 a year for three years with no sign-on bonus.” His father wisely responds, “Ty, how can you use the word MEASLY when referring to a $700,000 salary?” Most of the characters—quite a few of whom serve as a Greek chorus representing a fed-up, underpaid public—are one-dimensional, particularly the poor Latino player, the loudmouthed agent, and the ambitious sportscaster. That shallowness lessens the impact of a promising concept. And in our professional sports world, filled with win-at-any-cost owners unlikely to cooperate, this novel unfortunately will remain a well-meaning fairy tale.
A well-thought-out blueprint for fixing a major problem in professional sports that, alas, will likely be benched by the reality of owners wanting more dollars than sense.Pub Date: Dec. 1, 2008
ISBN: 978-1434382214
Page Count: 184
Publisher: AuthorHouse
Review Posted Online: Feb. 16, 2015
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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