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JACKDAWS

Ersatz characters, featureless prose, departures from formula nil. But to the Follett faithful that's probably good news.

Another plumpish thriller from the Follett factory (Code Zero, 2000, etc.), this time featuring a sort of distaff dirty (half) dozen.

They don't come any tougher, smarter, braver, or, for that matter, deadlier than Major Felicity (call her “Flick”) Clairet. Quintessentially female and sexy as all get out, she kills without compunction if that's the way the mission goes. The year is 1944, ten days before the Allied assault on Normandy, and Flick, a world-class saboteur, is attached to a British special operations unit. In France, near Paris, the largest telephone exchange in Europe has to be knocked out if Nazi communications are to be as impaired as the Allies need them to be. Eager for the assignment, Flick, being Flick, is only momentarily nonplussed when she learns she has but a mere two days to recruit a team of six French-speaking Englishwomen, train them to jump out of an airplane, and pass them off as a local custodial staff. In company with Flick, they will then slip by gulled Gestapo guards and into the telephone exchange building in order to blow it to smithereens. Code-named Jackdaw, the hastily assembled team includes a convict awaiting trial for murder, an ex-safecracker with a particular affinity for gelignite, and an engineer who is also a transvestite. Opposing the Jackdaws will be fiendishly clever Major Dietrich Franck, late of Rommel’s staff, who is to captured British intelligence agents what Torquemada was to suspected heathens. And now the game's afoot: jackbooted Nazis against dissembling Jackdaws, devilish Dietrich versus tricky Flick. Bullets fly and blood flows while the fate of D-day hangs, obligatorily, in the balance.

Ersatz characters, featureless prose, departures from formula nil. But to the Follett faithful that's probably good news.

Pub Date: Dec. 3, 2001

ISBN: 0-525-94628-4

Page Count: 464

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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