Politically astute and topical, this presidential drama loses momentum in a convoluted plot.

BELTWAY UPHEAVAL

In this complex political thriller, controversy surrounds a new American president’s legitimacy. 

Democrat Herbert Atkinsen wins the presidential popular vote in his bid for election but falls short of the electoral votes necessary to clinch the win. As a result, a rare contingency vote is called, the first since 1825, in which the House of Representatives casts the deciding votes to determine the next president, while the Senate selects a vice president. Atkinsen prevails, as does his Republican running mate, George Granger. However, following the death of his wife, Atkinsen has suffered from serious health problems that he believes will prevent him from completely fulfilling the position’s considerable obligations. His chief of staff, Steve Wagner, comes up with a plan: Atkinsen will swear into office and quickly resign, and the order of constitutional succession will anoint Granger president. This denies Republican Sen. John Robinson, an extremist, any chance of assuming the Oval Office and neutralizes the corrupt Democrat speaker of the House, Bob Allcott. Wagner was able to secure Allcott’s cooperation by threatening a criminal probe into his connection to Cody Manville, a corrupt power broker—the two may have coerced electors to vote their way—and Manville is suspected of murder. However, Granger signs a series of aggressive executive orders, the last of which establishes sweeping fiscal reforms, inspiring the unabashed ire of his political opponents, including Allcott, who demand an impeachment trial for abuses of power. Gorman (Patriotic Gamble, 2012, etc.) displays an astonishingly fertile imagination, conjuring a swamp of political malfeasance impressive even by today’s grim standards. Also, his knowledge of American government, particularly the constitutional law that restrains the presidency, is impressively vast. The plot, however, while briskly paced, is forbiddingly labyrinthine. Also, the main characters remain frustratingly nebulous, never fully developed beyond their political personas. Finally, the writing, especially the dialogue, lacks the edge the plot delivers (“ ‘Wow!’ Cam Tucker exclaimed. ‘Now I understand why politics is called a blood sport’ ”).

Politically astute and topical, this presidential drama loses momentum in a convoluted plot.  

Pub Date: Sept. 12, 2016

ISBN: 978-1-365-16307-4

Page Count: 262

Publisher: Lulu

Review Posted Online: Aug. 10, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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