Politically astute and topical, this presidential drama loses momentum in a convoluted plot.
In this complex political thriller, controversy surrounds a new American president’s legitimacy.
Democrat Herbert Atkinsen wins the presidential popular vote in his bid for election but falls short of the electoral votes necessary to clinch the win. As a result, a rare contingency vote is called, the first since 1825, in which the House of Representatives casts the deciding votes to determine the next president, while the Senate selects a vice president. Atkinsen prevails, as does his Republican running mate, George Granger. However, following the death of his wife, Atkinsen has suffered from serious health problems that he believes will prevent him from completely fulfilling the position’s considerable obligations. His chief of staff, Steve Wagner, comes up with a plan: Atkinsen will swear into office and quickly resign, and the order of constitutional succession will anoint Granger president. This denies Republican Sen. John Robinson, an extremist, any chance of assuming the Oval Office and neutralizes the corrupt Democrat speaker of the House, Bob Allcott. Wagner was able to secure Allcott’s cooperation by threatening a criminal probe into his connection to Cody Manville, a corrupt power broker—the two may have coerced electors to vote their way—and Manville is suspected of murder. However, Granger signs a series of aggressive executive orders, the last of which establishes sweeping fiscal reforms, inspiring the unabashed ire of his political opponents, including Allcott, who demand an impeachment trial for abuses of power. Gorman (Patriotic Gamble, 2012, etc.) displays an astonishingly fertile imagination, conjuring a swamp of political malfeasance impressive even by today’s grim standards. Also, his knowledge of American government, particularly the constitutional law that restrains the presidency, is impressively vast. The plot, however, while briskly paced, is forbiddingly labyrinthine. Also, the main characters remain frustratingly nebulous, never fully developed beyond their political personas. Finally, the writing, especially the dialogue, lacks the edge the plot delivers (“ ‘Wow!’ Cam Tucker exclaimed. ‘Now I understand why politics is called a blood sport’ ”).
Politically astute and topical, this presidential drama loses momentum in a convoluted plot.Pub Date: Sept. 12, 2016
ISBN: 978-1-365-16307-4
Page Count: 262
Publisher: Lulu
Review Posted Online: Aug. 10, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
