A poignantly written, unflinchingly realistic account of war.
A historical novel chronicles an American soldier’s march across France during World War I.
Emmet “Judy” Redding enlists in the Army in order to play baseball, but then war breaks out in Europe. He’s sent to be trained by seasoned French forces in eastern France, a corporal in the U.S. Army Corps of Engineers, part of the American Expeditionary Force sent to halt German advancement. After training, Judy participates in the AEF’s first major offensive action in Cantigny in May 1918 and makes his way to Meuse-Argonne by October of the same year, shortly before the war’s conclusion. He experiences his share of amorous rendezvous. In Paris, he falls in love with Jeanne Trevost, a Frenchwoman, and intends to marry her. But their union faces two obstacles. Judy learns from her brother, Rene, that she is promised in marriage to another, a matter of family arrangement. Also, Jeanne works as a spy for France and is captured, leaving Judy praying she survives her ordeal. Debut author Redline served in France as part of the AEF and was a decorated soldier. As the book’s editor and the author’s daughter, Redline Coopey, points out in the introduction, this novel is just as much memoir as it is fiction. The novel is mostly written in the first person from Judy’s perspective and details not only the brutality and deprivation of combat, but also the camaraderie of the soldiers. Redline captures the savagery of war while avoiding maudlin sentimentality or valorization of the killing fields: “We were thin, emaciated, tattered and torn. If addressed, we didn’t respond, for the effort was too great. We had only curses for those who might fawn upon us and glorify our achievement, but we took and held the town.” The author doesn’t shy away from confronting the moral complexity of war. In one memorably heartbreaking scene, Judy consoles a fellow soldier who raped a woman. The soldier roils with regret, and while horrified on behalf of the victim, Judy also feels great sympathy for his friend, knowing how the pain of loneliness and fear can disfigure the soul. Further, Redline portrays the romances between American soldiers and Frenchwomen with considerable nuance; all were in search of some respite from the war. The predicament of the women is especially bleak since a generation of prospective spouses was sacrificed to repel the Germans. Redline’s prose is sure-footed and powerful, and he often allows Judy to wander into philosophical reverie, thoughtfully contemplating the grimness of his plight. The war’s toll is achingly depicted: Judy initially has reservations about alcohol, but its regular consumption numbed him to his own distress.
A poignantly written, unflinchingly realistic account of war.Pub Date: March 6, 2017
ISBN: 978-0-9979351-0-3
Page Count: 356
Publisher: Fox Hollow Press
Review Posted Online: Aug. 10, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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