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HYSSOP

McIlvoy (The Fifth Station, 1988; Little Peg, 1990) hits his stride with this life-affirming and unsentimental comedy of a widowed thief who finds his much-loved second bride when he’s 86 and she a year younger. Red Greet, of Las Almas, New Mexico, sets the first scene of his story in 1996 (after he’s been remarried a year) in a jail cell (where he’s giving the jail-keeper a dance lesson): for Red, unabashedly full of life and loved by his many friends, has never been able not to steal. But this flaw isn’t a simple matter, since Red has more Robin Hood or Quixote in him than simple thief. Go back to 1915, for example, when he first met Frank (Francisco) Velasco, the strange little boy whose father, a wife-abuser, left poverty behind. What happened if not that Red Greet’s own father, a builder of stone walls, overcharged certain customers and gave the excess to his needy neighbors? Giving and receiving ripple throughout this often hilarious book—little Frank Velasco himself, Red Greet’s best friend, becomes a Roman Catholic priest, then bishop, but ends out of the church’s grace for having (among other most wondrous things), along with Red, “given” the house of a wealthy man over to needy field-workers during the 1994 Annual Hatch Chile Festival. McIlvoy’s novel is lyric and episodic, seeming sometimes a string of stories, but life, tears, comedy, and love pour out of it at all points—for, thief or not, Red Greet is, as his second wife says, “a man with a river inside.” Tall tales, old friends, reminiscences, the sisters —beda (Arlene, Faye, Altadena), memories of school, a wedding in a playing field (the locks having been changed to keep Frank out of the Christ is King church), selling Christmas trees in a cemetery. Says Red, after all: “We were from poor families. What else could we spend but our words, our voices?” Charming, unpretentious, deep, poetic, life-filled. A joy.

Pub Date: Oct. 1, 1998

ISBN: 0-8101-5085-9

Page Count: 175

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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