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JOHN RILEY’S DAUGHTER

It’s 1973, and Memphis Riley, who’s just turned 13, has had an explosive fight with her aunt Clover, a 29-year-old woman whom a childhood bout with meningitis left “broken inside her head.” After smashing her guitar, a precious memento that once belonged to Memphis’s dead mother, Clover stomps off down the road. Memphis doesn’t give Aunt Clover’s departure a second thought until that night when her aunt doesn’t reappear. Memphis’s grandmother Naomi, whom Memphis has lived with since her father, John Riley, “dumped” her there “and never looked back” the day after her eighth birthday, is deeply distressed. As the hours, then days, mount, Naomi begins to think that her granddaughter, whom it’s clear she never cared for, might have actually hurt the childlike Clover. Memphis only has two allies in the tiny town of Blue Parrot, her grandmother’s childhood chum whom she calls Aunt Birdie and her friend Samson, and she’s becoming increasingly scared. The surefooted first-person narrative keeps the pressure steadily building, and the reader becomes ever more fearful not only about Clover’s fate, but how it will affect Memphis’s tenuous position in her household and the community at large. Memphis comes to learn the sad lesson that “being born into a family doesn’t necessarily mean that they’ll . . . love you,” and discovers that home “isn’t brick or board” but instead “a feeling of belonging.” Matthews’s strength is that she creates no villains, but sees all her characters, even the most deeply flawed, with a compassionate eye. (Fiction. 12-14)

Pub Date: June 1, 2000

ISBN: 0-8126-2775-X

Page Count: 128

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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THE SUMMER I TURNED PRETTY

From the Summer I Turned Pretty series , Vol. 1

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a...

Han’s leisurely paced, somewhat somber narrative revisits several beach-house summers in flashback through the eyes of now 15-year-old Isabel, known to all as Belly. 

Belly measures her growing self by these summers and by her lifelong relationship with the older boys, her brother and her mother’s best friend’s two sons. Belly’s dawning awareness of her sexuality and that of the boys is a strong theme, as is the sense of summer as a separate and reflective time and place: Readers get glimpses of kisses on the beach, her best friend’s flirtations during one summer’s visit, a first date. In the background the two mothers renew their friendship each year, and Lauren, Belly’s mother, provides support for her friend—if not, unfortunately, for the children—in Susannah’s losing battle with breast cancer. Besides the mostly off-stage issue of a parent’s severe illness there’s not much here to challenge most readers—driving, beer-drinking, divorce, a moment of surprise at the mothers smoking medicinal pot together. 

The wish-fulfilling title and sun-washed, catalog-beautiful teens on the cover will be enticing for girls looking for a diversion. (Fiction. 12-14)

Pub Date: May 5, 2009

ISBN: 978-1-4169-6823-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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