An adventure tale rife with creatures and immersed in the Hadrami culture of Kenya.
Join a girl and a talking cat on a magical realist sea voyage.
In this debut novel, Aisha, a Mombasa girl, goes to sea on a boat made of a fish skeleton to find her missing father. Accompanying her is a wise, skinny, yellow, and very talkative cat, Hamza. This is magical realism, Kenya-style. The author reaches into the mythology of her Hadrami culture to conjure talking animals and discursive sea creatures as she charts her heroine’s journey from home and back. “There are things in the water that could eat you alive,” Hamza tells Aisha. “Though I’m sure you already know this and quite well.” (Hamza is a bit of a smart aleck.) This is a novel of tradition, ritual, and mystical adventure: “On the tables of kings, candle wax had dripped down the cat’s skull and whiskers. An obedient, trained creature, but at heart: a philosopher and spy.” And a cat. Aisha sails away with her feline friend, pulling us into a series of dialogues and riddles, few of them with other humans. Then they return, and things get strange. Even if you’re not a fan of magical realism, this window into Hadrami culture should at least stoke your curiosity.
An adventure tale rife with creatures and immersed in the Hadrami culture of Kenya.Pub Date: Oct. 19, 2021
ISBN: 978-1-64445-068-0
Page Count: 272
Publisher: Graywolf
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Weird and haunting and excellent.
The much-anticipated second novel from the author of Jonathan Strange and Mr. Norrell (2004).
The narrator of this novel answers to the name “Piranesi” even though he suspects that it's not his name. This name was chosen for him by the Other, the only living person Piranesi has encountered during his extensive explorations of the House. Readers who recognize Piranesi as the name of an Italian artist known for his etchings of Roman ruins and imaginary prisons might recognize this as a cruel joke that the Other enjoys at the expense of the novel’s protagonist. It is that, but the name is also a helpful clue for readers trying to situate themselves in the world Clarke has created. The character known as Piranesi lives within a Classical structure of endless, inescapable halls occasionally inundated by the sea. These halls are inhabited by statues that seem to be allegories—a woman carrying a beehive; a dog-fox teaching two squirrels and two satyrs; two children laughing, one of them carrying a flute—but the meaning of these images is opaque. Piranesi is happy to let the statues simply be. With her second novel, Clarke invokes tropes that have fueled a century of surrealist and fantasy fiction as well as movies, television series, and even video games. At the foundation of this story is an idea at least as old as Chaucer: Our world was once filled with magic, but the magic has drained away. Clarke imagines where all that magic goes when it leaves our world and what it would be like to be trapped in that place. Piranesi is a naif, and there’s much that readers understand before he does. But readers who accompany him as he learns to understand himself will see magic returning to our world.
Weird and haunting and excellent.Pub Date: Sept. 15, 2020
ISBN: 978-1-63557-563-7
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...
Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.
Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.Pub Date: June 2, 2003
ISBN: 1-57322-245-3
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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