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HEAVY

AN AMERICAN MEMOIR

A dynamic memoir that is unsettling in all the best ways.

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A challenging memoir about black-white relations, income inequality, mother-son dynamics, Mississippi byways, lack of personal self-control, education from kindergarten through graduate school, and so much more.

Laymon (English and Creative Writing/Univ. of Mississippi; How to Slowly Kill Yourself and Others in America, 2013, etc.) skillfully couches his provocative subject matter in language that is pyrotechnic and unmistakably his own. He also uses an intriguing narrative form, directly addressing his divorced mother, a poverty-stricken single woman who became a political science professor at Jackson State University. As an obese black youngster, the author had to learn to absorb cruelty not only because of his size, but also because of his dark skin. The relentlessness of his mother’s love—she expected academic and behavioral perfection and employed corporal punishment with a belt—shaped Laymon’s character in ways both obvious and subtle. One of the main elements of the memoir is his resentment at white privilege and his techniques to counter it. “Every time you said my particular brand of hardheadedness and white Mississippian’s brutal desire for black suffering were recipes for an early death, institutionalization, or incarceration, I knew you were right,” writes the author. Of all the secondary themes, the impact of addiction—food, gambling, and drug use, but especially food—ranks next. Laymon hated himself for topping 300 pounds as a teenager. Then he got fanatical with exercise and near starvation, dropping down to 170—followed by a relapse of sorts as he began to approach 300 again. Far more than just the physical aspect, the weight he carries also derives from the burdens placed on him by a racist society, by his mother and his loving grandmother, and even by himself. At times, the author examines his complicated romantic and sexual relationships, and he also delves insightfully into politics, literature, feminism, and injustice, among other topics.

A dynamic memoir that is unsettling in all the best ways.

Pub Date: Oct. 16, 2018

ISBN: 978-1-5011-2565-2

Page Count: 256

Publisher: Scribner

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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