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RAGE IN PARIS

Williams is a first-time novelist, and it shows. The point of view teeters between Urby’s flashy first-person observations...

A raucous exercise in screwball historical fiction with some hard-boiled action blended in.

Let’s see: A creole jazz clarinetist and one-time World War I air ace working as a private detective in 1934 Paris; a fascist French aristocrat and Nazi sympathizer whose closest aide is a belligerent African-American drummer; a trumped-up kidnapping with an oblique connection to the Lindbergh kidnapping that same year, which in turn will lead to a Nazi takeover of the U.S. And there are even more historically rooted whoppers in this satiric pulp pastiche written by a longtime African-American expatriate who’s borrowed some of his own real-life experiences and tossed them into this slam-bang vaudeville revue of mayhem, murder and cross-racial mischief. The gallivanting plot begins with the story’s stalwart hero, the aforementioned jazz artist/war hero/private eye Urby Brown, agreeing to help a shady white American businessman retrieve his beautiful daughter from the clutches of the aforementioned black drummer. Urby, of course, senses from the start he’s not being told the whole truth. (Is she really his daughter? Is he trying to set Urby up for the police?) In the meantime, the aforementioned aristocrat, who bears a remarkable resemblance to the detective, has his own suspect motives for finding the daughter, who’s nowhere near as helpless as she seems and who has sexual longings for both Adolf Hitler and her would-be rescuer. All the while, socialist and fascist mobs engage in bloody fisticuffs in the streets as Hitler, Rudolf Hess, Sidney Bechet and other real-life figures make cameo appearances.  

Williams is a first-time novelist, and it shows. The point of view teeters between Urby’s flashy first-person observations and a blander third-person narrative. Yet the book’s ragbag-deco milieu enhances its perversely anachronistic appeal.

Pub Date: Dec. 1, 2014

ISBN: 978-1-888889-7-65

Page Count: 250

Publisher: Pushcart

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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