Crime fiction, superpower fantasy, and sharp satire about sexism and ageism mesh for a satisfying read.
Menopause brings more gains than losses for three women in this entertaining thriller.
When menopause arrives for the three women who are the protagonists in this book, they don’t bother with estrogen therapy or worry about chin hairs. They develop superpowers. Harriett Osborne kicks her high-powered advertising career and her dweeby husband to the curb and lets her gift for botany flourish, growing plants for pleasure and for poison (and to really annoy the head of her homeowners association). Jo Levison is first alarmed by the rage that literally sets fire flowing from her hands—hot flashes with a vengeance—but she learns to channel it and starts a successful fitness and self-defense business. Nessa James’ emerging gift is a somber one that’s been handed down by the women in her family: The dead speak to her, but only the dead who need help. All three women live in the manicured little beach town of Mattauk, where bad things aren’t supposed to happen. But when Jo and Harriett accompany Nessa to a secluded beach, where one of those voices is calling to her, they find the body of a young woman decomposing in a garbage bag. And, Nessa says, hers is not the only ghost there. The response from local police is barely apathetic; the cops seem to be protecting someone, or all the someones who live behind gates at the high-priced end of the island. That just makes the trio push harder to find out what’s going on. What they uncover echoes the Jeffrey Epstein case and too many other cases of powerful men exploiting women and getting away with it—or maybe not. The novel takes on serious issues but doesn’t take itself too seriously; there’s plenty of mordant humor, a suspenseful plot, and mostly brisk pacing.
Crime fiction, superpower fantasy, and sharp satire about sexism and ageism mesh for a satisfying read.Pub Date: May 3, 2022
ISBN: 978-0-06-314404-0
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: May 3, 2022
Kirkus Reviews Issue: June 1, 2022
SEEN & HEARD
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.
A young Philadelphia policewoman searches for her addicted sister on the streets.
The title of Moore’s (The Unseen World, 2016, etc.) fourth novel refers to “a long bright river of departed souls,” the souls of people dead from opioid overdoses in the Philadelphia neighborhood of Kensington. The book opens with a long paragraph that's just a list of names, most of whom don’t have a role in the plot, but the last two entries are key: “Our mother. Our father.” As the novel opens, narrator Mickey Fitzpatrick—a bright but emotionally damaged single mom—is responding with her partner to a call. A dead girl has turned up in an abandoned train yard frequented by junkies. Mickey is terrified that it will be her estranged sister, Kacey, whom she hasn’t seen in a while. The two were raised by their grandmother, a cold, bitter woman who never recovered from the overdose death of the girls' mother. Mickey herself is awkward and tense in all social situations; when she talks about her childhood she mentions watching the other kids from the window, trying to memorize their mannerisms so she could “steal them and use them [her]self.” She is close with no one except her 4-year-old son, Thomas, whom she barely sees because she works so much, leaving him with an unenthusiastic babysitter. Opioid abuse per se is not the focus of the action—the book centers on the search for Kacey. Obsessed with the possibility that her sister will end up dead before she can find her, Mickey breaches protocol and makes a series of impulsive decisions that get her in trouble. The pace is frustratingly slow for most of the book, then picks up with a flurry of revelations and developments toward the end, bringing characters onstage we don’t have enough time to get to know. The narrator of this atmospheric crime novel has every reason to be difficult and guarded, but the reader may find her no easier to bond with than the other characters do.
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.Pub Date: Jan. 7, 2020
ISBN: 978-0-525-54067-0
Page Count: 496
Publisher: Riverhead
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
Fans of crime fiction will love this one.
Nottingham forensic psychologist Cyrus Haven investigates a mass migrant murder in his fourth outing.
Cyrus and his friend Evie Cormac—born Adina Osmani—are enjoying a day at the beach when a woman screams that someone is floating in the ocean. Cyrus swims to the rescue, but he’s too late. Then more bodies float in, 17 in all with but one survivor. They had come from the Middle East, desperately trying to reach British soil. But miles out in the English Channel, another boat had rammed into their inflatable dinghy, sinking it. Who? Why? Was it an accident? Was it xenophobia, a warning to keep foreigners out? Or does it go deeper? A mysterious ferryman is said to control the human trafficking across the channel, but most people think him a bogeyman, the stuff of ghost stories. Then the lone survivor is murdered; how will police ever learn what happened now? In Scotland, Cyrus is told, “Oh, that’s a dangerous beastie, the truth, a monster in the loch.” Cyrus and Evie narrate alternating fast-paced chapters that will rivet the reader’s attention. Both have backgrounds you wouldn’t wish on your worst enemy. Cyrus’ older brother murdered their parents and two sisters. Evie, from Albania, lost her family and has been sexually trafficked and tortured. “Coin-sized lesions” from cigarette burns pock her legs and abdomen. Cyrus fostered her, and they have become good friends. The interplay between the two main characters makes the story stand out. She’s attracted to him, but the feeling is not mutual. He cares deeply about her, but he’ll never violate his professional ethics. So she’s both jealous and happy knowing that he’s “bumping uglies” with a more appropriate woman. In his words, Evie is “damaged and self-destructive and a pathological liar, but she is also funny and feisty and intelligent and empathetic.” There’s also a great secondary character from Zimbabwe who deserves a role in Cyrus and Evie’s next adventure.
Fans of crime fiction will love this one.Pub Date: July 2, 2024
ISBN: 9781668030998
Page Count: 336
Publisher: Scribner
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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