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SEEDS IN THE CONCRETE

CHANGE YOUR PERCEPTION, CHANGE YOUR REALITY

The novel hobbles itself with excessive details, but Lance’s journey is a lively, satisfying one.

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Debut author Joevon presents an urban novel about an aspiring songwriter’s quest to transcend his surroundings.

When the reader first meets Lance Adams, he’s not happy. Lance wrote a smash song for the rapper J-Money and, although Lance received $10,000 for his efforts, he feels he deserves more (“He’s making MILLIONS off of my LIFE!”). As the reader learns, Lance’s life certainly makes for good hip-hop copy. He grew up in the Marcus Garvey Projects in Brooklyn surrounded by drug abuse and violence. He spent three years in prison and is quick to throw a punch. Now that he’s a free man, he dreams of making music and spends long hours at Barnes & Noble writing lyrics. At the bookstore, he meets the thoughtful Ayana, and they eventually have a son together. Lance looks to be on the right path, but his old troubles haunt him. His is a world where slighting the wrong person can end poorly, and drugs can drain resources and end lives in a flash. Lance points out the stupidity of stealing an iPhone, saying that the $700 phone isn’t worth the risk: “A crackhead can smoke that away in ten seconds!” Halfway through the story, following an incident with a gun, Lance enters a strange realm where he is taught various life lessons. He emerges as someone who has journeyed to the recesses of his own mind. He also emerges as a very different person. The excitement for the reader comes in finding out how Lance will succeed now that he is both physically and mentally changed. And there is plenty of excitement to be had: bullets fly, egos collide, and music is made even if the storyline sometimes sags with mundane details, including Polonius-like advice Lance gives his young son about borrowing money. The reader need not know so many specifics, but the payoff is with the protagonist. Lance is often down but will he ever be out? It’s a question that keeps the story moving until the very end.

The novel hobbles itself with excessive details, but Lance’s journey is a lively, satisfying one.

Pub Date: April 25, 2017

ISBN: 978-1-5136-1473-1

Page Count: 380

Publisher: Movement Publishing

Review Posted Online: March 7, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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