A lavish blend of urban crime and high fantasy.
Reeve (Pathfinder, 2010, etc.) begins a new fantasy series in which the defenders of magic must flush out a sect of necromancers.
In the kingdom of Tyrra, Draius is a member of the City Guard. She and her career-obsessed husband, Jan, have a 7-year-old son named Peri. Like all marriages in Tyrra, theirs was arranged by careful matriarchal planning and exists within the confines of a contract. Also unique to Tyrran culture are the Phrenii, translucent elementals that resemble unicorns and roam the streets of Betarr Serasa. One night, in the Sea Serpent tavern, a member of the King’s Council named Meran-Nelja Reggis is found nailed to the floor of an upstairs room and eviscerated. Missing organs and fingers, as well as symbols painted in blood, point to the illegal teachings of Nherissa—or necromancy. The crime scene is spoiled when Cmdr. Erik is too drunk to contain the tavern’s crowds. Draius takes the case, aided by the handsome but inexperienced Lt. Lornis. Complicating matters are the shards of a magical artifact called the Kaskea, which create a bond with the Phrenii and which only the King may wield. Despite Tyrra’s reliance on science and procedure, anyone abusing pieces of the Kaskea has the power to upend their society. Reeve seamlessly combines disparate motifs to create an evocative new urban fantasy realm. Fascinating is the idea that Tyrra considers the word “unicorn” vulgar, and only children may touch the ethereal Phrenii without suffering ill effects (like shame and guilt). Tyrra is a place with a living history, the details of which (including a recent plague that affected birthrates) only enrich the story. Several first-person chapters from the killer’s perspective add tension as Reeve leads readers toward an otherworldly finale.
A lavish blend of urban crime and high fantasy.Pub Date: Oct. 27, 2015
ISBN: 978-0-9891358-3-2
Page Count: 350
Publisher: Cajun Coyote Media
Review Posted Online: March 4, 2016
Kirkus Reviews Issue: April 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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