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THE SPEED OF LIGHT IN AIR, WATER, AND GLASS

An enjoyable story of teen independence and exploration.

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In Scalzo’s debut novel, a teenager skips a STEM competition to pursue her own interests.

Fifteen-year-old Julia Bissette is an aficionado of fractals (“You can draw a circle with geometry, but you can draw a snowflake with fractal geometry”). She’d initially planned to go to a national conference that awards a monetary prize to the best fractal diagram produced by one of its young entrants. Instead, she spends a Holden Caulfield–esque week exploring her hometown of Washington, D.C., on her own terms. She uses her father’s credit card to check into the Hay-Adams Hotel, and at the Vietnam Veterans Memorial, Julia meets Kal Kovac, a tall teenage boy trying to solve the mystery of why his grandfather never returned from the war. Julia and Kal hit it off, and they team up to investigate his relative’s past—a journey that takes them to the National Archives, CIA headquarters, and, eventually, to the very competition that Julia’s been avoiding. The present-day chapters are intercut with excerpts from Kal’s grandfather’s journal, including an account of his work during secret missions in Laos, and both narratives reach their resolutions in the book’s closing pages. Julia is a compelling protagonist who’s both self-aware and self-indulgent (“I guess I might be in trouble, but for what?”). Indeed, readers may have trouble deciding whether they want to root for her or shake some sense into her. Her relationship with Kal is refreshing, as it doesn’t instantly transform into a romance; they’re strangers united by a cause rather than sudden soul mates. Scalzo knows her District of Columbia setting well, and she develops it in detail throughout the story, allowing both Julia and the reader to become reacquainted with a familiar place. The prose is strong—quiet but evocative—and it does an excellent job of capturing the unanswered questions that drive Julia and Kal: “His isn’t a war story I understand from school and field trips, a Civil War soldier breathing his last breath, Walt Whitman holding his hand at the Patent Office, not even a mile from the White House and President Lincoln himself.”

An enjoyable story of teen independence and exploration.

Pub Date: Oct. 5, 2018

ISBN: 978-1-73269-400-2

Page Count: 206

Publisher: One One Two Press

Review Posted Online: Jan. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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