The untidy Rube Goldberg aftermath to the shooting of ghetto beauty Lawanda de Bourbon by rookie cop James Rodriguez, traced in satiric detail by first-novelist Goldstone. Did Rodriguez gun down Lawanda in cold blood as she fled across a rooftop in a drug raid, or did he fire in self-defense after seeing a gun in the hand of the mistress of drug kingpin Ali Akbar Abdul (Triple A)? Despite the clean-cut cop's fervent avowals, no gun can be found in the courtyard where Lawanda fell; and opportunistic lawyer Herbert Whiffet, fresh from his triumph in protecting homeless vagrant Fruitful Willis from harassing/harassed deli owner Murray Platkin and armed with a videotape of the shooting by out-to-lunch main-chancer Fernando Rios, rallies the black community in demanding revenge. As Herbert tries to dodge the newly acquired investigative skills of TV newscaster Cornelia Pembroke and puts aside his rewarding liaison with informative assistant D.A. Renee Libermann-Smith (roused to revenge herself when she thinks he's been two-timing him with impossibly glamorous Cornelia, nÇe Karen Pzytriek) for a place on jailed Triple A`s legal staff, Murray's cashier Clarissa Taylor, thrown out of work when he closed his deli, finds her slide down the socioeconomic scale arrested temporarily by her son's employment by Ralph ``Uzi'' Jones, one of Triple A's top aides. Meanwhile, Internal Affairs investigator Phil Gagliardi and big-time defense attorney Meville Seltzer battle over the question of how (in the absence of hard evidence about the vanished gun) to slant the case so that Rodriguez will get off, or the department will come out looking good, or the cops can cut a deal to reduce Triple A's slaughter of innocents in the cross fire—all of this supplemented by a mercifully brief homily on whose rights are to be protected at the expense of whose. An amusingly overplotted Bonfire of the Vanities knockoff, minus Wolfe's epic sense of despair or fun.

Pub Date: March 1, 1992

ISBN: 1-877946-13-3

Page Count: 268

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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