This inspiring book will encourage activism.
Marching for the rights of all—children, Black people, women, Indigenous people, DREAMers, the LGBTQ+ community, disabled individuals, and many others—is explored in this history.
From the children who walked with Mother Jones from Pennsylvania to New York in 1903 to speak for better youth labor laws to the worldwide Youth Climate Strike in March 2019, all kinds of marches—many linked to children and youth—are described in lively language and illustrated with bright cartoons that emphasize diversity among participants and illustrate the banners and posters carried. Each two-page spread contains a short history of each march and the actions taken, set in dense type, along with one or two quotes from organizers. Some, like the Longest Walk, a 1978 march from San Francisco to Washington, D.C., undertaken by Indigenous people to bring attention to 11 Congressional bills that threatened sovereignty, were weeks or months long. Widely known events like the recent Women’s March in January 2017 and actions known only to a few historians, like the 1943 march of Bulgarian Jews against the Holocaust, receive equal treatment. Connections among marches and themes repeated due to unchanging social and political conditions are pointed out and are one of the book’s strengths. The visually appealing last spread shows a timeline of each event placed on a long winding road. There is neither a table of contents nor an index, but the information presented is accessible and should really be read straight through for greatest impact. (This book was reviewed digitally with 11-by-20-inch double-page spreads viewed at 27.3% of actual size.)
This inspiring book will encourage activism. (sources, further reading) (Nonfiction. 11-13)Pub Date: Jan. 19, 2021
ISBN: 978-1-5344-4270-2
Page Count: 56
Publisher: Atheneum
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Logically pointing out that the American cowboy archetype didn’t spring up from nowhere, Sandler, author of Cowboys (1994) and other volumes in the superficial, if luxuriously illustrated, “Library of Congress Book” series, looks back over 400 years of cattle tending in North America. His coverage ranges from the livestock carried on Columbus’s second voyage to today’s herding-by-helicopter operations. Here, too, the generous array of dramatic early prints, paintings, and photos are more likely to capture readers’ imaginations than the generality-ridden text. But among his vague comments about the characters, values, and culture passed by Mexican vaqueros to later arrivals from the Eastern US, Sadler intersperses nods to the gauchos, llaneros, and other South American “cowmen,” plus the paniolos of Hawaii, and the renowned African-American cowboys. He also decries the role film and popular literature have played in suppressing the vaqueros’ place in the history of the American West. He tackles an uncommon topic, and will broaden the historical perspective of many young cowboy fans, but his glance at modern vaqueros seems to stop at this country’s borders. Young readers will get a far more detailed, vivid picture of vaquero life and work from the cowboy classics in his annotated bibliography. (Notes, glossary, index) (Nonfiction. 10-12)
Pub Date: Jan. 15, 2001
ISBN: 0-8050-6019-7
Page Count: 116
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
The life of Manjiro Nakahama, also known as John Mung, makes an amazing story: shipwrecked as a young fisherman for months on a remote island, rescued by an American whaler, he became the first Japanese resident of the US. Then, after further adventures at sea and in the California gold fields, he returned to Japan where his first-hand knowledge of America and its people earned him a central role in the modernization of his country after its centuries of peaceful isolation had ended. Expanding a passage from her Commodore Perry in the Land of the Shogun (1985, Newbery Honor), Blumberg not only delivers an absorbing tale of severe hardships and startling accomplishments, but also takes side excursions to give readers vivid pictures of life in mid-19th-century Japan, aboard a whaler, and amidst the California Gold Rush. The illustrations, a generous mix of contemporary photos and prints with Manjiro’s own simple, expressive drawings interspersed, are at least as revealing. Seeing a photo of Commodore Perry side by side with a Japanese artist’s painted portrait, or strange renditions of a New England town and a steam train, based solely on Manjiro’s verbal descriptions, not only captures the unique flavor of Japanese art, but points up just how high were the self-imposed barriers that separated Japan from the rest of the world. Once again, Blumberg shows her ability to combine high adventure with vivid historical detail to open a window onto the past. (source note) (Biography. 10-13)
Pub Date: Feb. 28, 2001
ISBN: 0-688-17484-1
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
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