Abandoning present-day intrigues (MAMista, Spy Sinker, etc.), Deighton journeys back to WW II (SS-GB and XPD)—and a terrific return it is: a rich drama of heroes and villains awaiting German General Erwin Rommel's attack on Cairo—the ``city of gold.'' The plots here are many, but central among them is the attempt by Special Investigation Branch Major Bert Cutler to unmask the spy who's been leaking British secrets to Rommel. The kicker is that Cutler isn't Cutler; he's really Jimmy Ross, a British corporal who was on his way to Cairo to be court-martialed for killing an officer when his escort, Cutler, keeled over from a heart attack. Quick-thinking Ross switched IDs with Cutler and now finds himself in Cairo with an office, full staff, and carte blanche to turn the city upside down in pursuit of the spy—that is, if he doesn't betray himself first to any of the marvelously realized characters who crowd the pages here, from his leathery assistant to a manipulative Jewish nationalist, a White Russian prince, two young and beautiful Englishwomen, an upper-class British deserter turned grand thief, a too-caricatured American reporter (all tough pose and cocky action), and King Farouk himself—fat, decadent, imperious. It's the deserter who—by committing a murder that Ross must investigate—turns out to be Ross's main foil; and it's he who pulls the narrative—the first half of which springs forward mostly on perfectly pitched dialogue—into the desert and shattering action as Rommel attacks an armored caravan carrying Ross and several others, precipitating a crisis that movingly strips these men, good and evil, down to their bare selves. At one point, Ross is likened to Bogart—appropriate in a novel so reminiscent in spirit to Casablanca. And if this is the same old story, a song of love and glory, at least it's told here with consummate skill. Play it again, Len.
Pub Date: July 1, 1992
ISBN: 0-06-017937-6
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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