BATTLE CRY

It's terrific: Perhaps there is less searching for the beast in man than in The Naked and the Dead, less uncovering of basic disillusions than in From Here to Eternity, less integration of plot and character than in The Caine Mutiny, but indubitably it shares some of the greatness of each. Here is a saga of the Marines in World War II, told in terms of a battalion known as "Huxley's Whores" in the Sixth Regiment of the Corps, and specifically of the radio squad. It's raw and tough and unvarnished. Much of the language is filthy (The Caine Mutiny proved our contention that dirt was not necessary to vigor, but the adversary still has his side). Many of the assumptions relating to liquor and sex will offend the tender skinned. But the grandeur of man comes through in spite of it,-his capacity for heroism, his fundamental tenderness towards his fellows, his hero worship and recognition of greatness, his ability to measure up to the best in him. The men of the squad come alive and the reader cares profoundly what happens. The story has episodes of raw humor, originality, drama, tragedy- and "American youth in the crucible of war" is tried and found worthy. The Marines from boot camp to Tarawa- in superb narration. Don't miss it.

Pub Date: April 27, 1953

ISBN: 006075186X

Page Count: 708

Publisher: Putnam

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: April 1, 1953

Did you like this book?

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 15

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

more